The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Стр. 64
... Rosalind breaks the intensely romantic sequence by speaking in prose on : ' Why do you speak too " Why blame you me ... Rosalind . Rosalind : And I for no woman . Silvius : Phebe : It is to be all made of faith and service , And so ...
... Rosalind breaks the intensely romantic sequence by speaking in prose on : ' Why do you speak too " Why blame you me ... Rosalind . Rosalind : And I for no woman . Silvius : Phebe : It is to be all made of faith and service , And so ...
Стр. 65
... Rosalind is already breaking with the metre there anyway . However , the consciousness of the possibility of stress is there in both cases , and it has to be given room . The same applies to the two names ' Ganymede ' and ' Rosalind ...
... Rosalind is already breaking with the metre there anyway . However , the consciousness of the possibility of stress is there in both cases , and it has to be given room . The same applies to the two names ' Ganymede ' and ' Rosalind ...
Стр. 222
... Rosalind and Orlando ( Act IV , Scene 1 ) , the premise is set up in the first words between them : Rosalind : ... Why , how now , Orlando , where have you been all this while ? You a lover ! And you serve me such another trick ...
... Rosalind and Orlando ( Act IV , Scene 1 ) , the premise is set up in the first words between them : Rosalind : ... Why , how now , Orlando , where have you been all this while ? You a lover ! And you serve me such another trick ...
Содержание
by Trevor Nunn 789 | 9 |
Heightened versus Naturalistic Text | 32 |
Shakespeare Setting out the Rules | 52 |
Авторские права | |
Не показаны другие разделы: 10
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |