The Actor and the Text'The Actor & the Text' brings together the elements of articulation and verbal clarity in a practical way. Building on specific exercises, it relates the practicality of voice production to the challenge of a difficult text. |
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Стр. 64
Rosalind breaks the intensely romantic sequence by speaking in prose on : ' Why do you speak too “ Why blame you me to love you ? ” and then from ' Pray you no more of this ... ' on to the end of her speech .
Rosalind breaks the intensely romantic sequence by speaking in prose on : ' Why do you speak too “ Why blame you me to love you ? ” and then from ' Pray you no more of this ... ' on to the end of her speech .
Стр. 65
Rosalind : Pray you no more of this , ' tis like the howling of Irish wolves against the moon . As You Like It , V.2 . > There is an incredible lightness here : the syllables are light and short and the stress is ambivalent to an extent ...
Rosalind : Pray you no more of this , ' tis like the howling of Irish wolves against the moon . As You Like It , V.2 . > There is an incredible lightness here : the syllables are light and short and the stress is ambivalent to an extent ...
Стр. 222
Orlando : My fair Rosalind , I come within an hour of my promise . Rosalind : Break an hour's promise in love ? He that will divide a minute into ... The scene then is about Rosalind's particularly rigorous definition of what love is .
Orlando : My fair Rosalind , I come within an hour of my promise . Rosalind : Break an hour's promise in love ? He that will divide a minute into ... The scene then is about Rosalind's particularly rigorous definition of what love is .
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LibraryThing Review
Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
by Trevor Nunn | 7 |
Attitudes to Voice and Text | 14 |
Heightened versus Naturalistic Text | 32 |
Авторские права | |
Не показаны другие разделы: 11
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
action active actor allow already audience aware become beginning break breath character comes consonants course deal difficult Dream emotional energy example excellent exercises eyes feel final give given Hamlet happens hear hold idea important instance interesting Juliet keep kind King language length listener live look meaning metre mind move movement nature never night notice once ourselves particularly passage patterns perhaps person phrase physical piece play possible precise present question reason repeat response rhyme rhythm Romeo round scene sense Shakespeare shape short simply sing soliloquy sonnet sound space speak specific speech stress structure style talking thing thou thought touch truth turn verse voice vowels weight whole words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
Библиографические данные
| Название | The Actor and the Text The Applause acting series Theatre studies |
| Автор | Cicely Berry |
| Издание: | 2, перепечатанное, исправленное |
| Издатель | Virgin, 1992 |
| Владелец оригинала: | Мичиганский университет |
| Оцифровано | 18 дек 2007 |
| ISBN | 0863697054, 9780863697050 |
| Количество страниц | Всего страниц: 303 |
| Экспорт цитаты | BiBTeX EndNote RefMan |