The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Стр. 16
... aware of our own sound than we realize , and that sound is strongly bound to our emotional state , and to our self - esteem . Yet , because we hear the sound via the bone conduction in our own heads , and also because we hear it ...
... aware of our own sound than we realize , and that sound is strongly bound to our emotional state , and to our self - esteem . Yet , because we hear the sound via the bone conduction in our own heads , and also because we hear it ...
Стр. 21
... aware of projecting to an audience - obviously we speak louder so that they can hear - but in a subtle way we still keep the words at an energy level with which we are comfortable . In fact we increase the sound energy , the volume ...
... aware of projecting to an audience - obviously we speak louder so that they can hear - but in a subtle way we still keep the words at an energy level with which we are comfortable . In fact we increase the sound energy , the volume ...
Стр. 229
... aware of how each of those three contributes to the movement forward . ( iii ) How the thoughts are broken up , be it in prose or verse , is directly related to the emotional state of the character . ( iv ) The substance of the word ...
... aware of how each of those three contributes to the movement forward . ( iii ) How the thoughts are broken up , be it in prose or verse , is directly related to the emotional state of the character . ( iv ) The substance of the word ...
Содержание
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 10
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |