The Actor and the Text'The Actor & the Text' brings together the elements of articulation and verbal clarity in a practical way. Building on specific exercises, it relates the practicality of voice production to the challenge of a difficult text. |
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Стр. 151
Also , quite another energy comes into play – which is maybe to do with childhood and it gives it a different urgency . Always be careful not to hurt your voice . - ( iv ) It is good to finish up this sequence of exercises by standing ...
Also , quite another energy comes into play – which is maybe to do with childhood and it gives it a different urgency . Always be careful not to hurt your voice . - ( iv ) It is good to finish up this sequence of exercises by standing ...
Стр. 157
Use this also to feel the sound forward in the mouth , so that when you come to speak the text normally you get the feeling ... are complex I am giving them in four sections , with group work and solo work for each section as it comes .
Use this also to feel the sound forward in the mouth , so that when you come to speak the text normally you get the feeling ... are complex I am giving them in four sections , with group work and solo work for each section as it comes .
Стр. 183
At first it seems impossible and too chaotic , but when you get the hang of it you will find it soon comes together . It is simply this : First get familiar with the sense of the speech you are going to use ; then get into quite a close ...
At first it seems impossible and too chaotic , but when you get the hang of it you will find it soon comes together . It is simply this : First get familiar with the sense of the speech you are going to use ; then get into quite a close ...
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LibraryThing Review
Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
by Trevor Nunn | 7 |
Attitudes to Voice and Text | 14 |
Heightened versus Naturalistic Text | 32 |
Авторские права | |
Не показаны другие разделы: 11
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Часто встречающиеся слова и выражения
action active actor allow already audience aware become beginning break breath character comes consonants course difficult Dream emotional energy example excellent exercises eyes feel final give given Hamlet happens hear hold idea important instance interesting Juliet keep kind King language length listener live look meaning metre mind move movement nature never night notice once ourselves particularly passage patterns perhaps person phrase physical piece play possible precise present question reason repeat response rhyme rhythm Romeo round scene sense Shakespeare shape short simply sing soliloquy sonnet sound space speak specific speech stress structure style syllables talking thing thou thought touch truth turn verse voice vowels weight whole words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |