The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Стр. 29
... consonants take to speak varies according to whether they are unvoiced or voiced , plosive or con- tinuant , and how many there are . For example , the end consonants take less time in the words ' vexed ' , ' hardokes ' , ' rank ...
... consonants take to speak varies according to whether they are unvoiced or voiced , plosive or con- tinuant , and how many there are . For example , the end consonants take less time in the words ' vexed ' , ' hardokes ' , ' rank ...
Стр. 56
... consonants are sharp and clean . This line rocks , partly because of the four - syllabled ' mis- adventured ' , which is regular in stress but filled with a quantity of hard consonants separating the short vowels ; and partly because of ...
... consonants are sharp and clean . This line rocks , partly because of the four - syllabled ' mis- adventured ' , which is regular in stress but filled with a quantity of hard consonants separating the short vowels ; and partly because of ...
Стр. 98
... consonants , say two continuants and a plosive can be very long . Also you will notice I have given two examples of final consonants , one with a preceding long vowel , and one with a preceding short vowel , as this also varies the ...
... consonants , say two continuants and a plosive can be very long . Also you will notice I have given two examples of final consonants , one with a preceding long vowel , and one with a preceding short vowel , as this also varies the ...
Содержание
by Trevor Nunn 789 | 9 |
Heightened versus Naturalistic Text | 32 |
Shakespeare Setting out the Rules | 52 |
Авторские права | |
Не показаны другие разделы: 10
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |