The Actor and the TextVirgin, 1992 - Всего страниц: 303 'The Actor & the Text' brings together the elements of articulation and verbal clarity in a practical way. Building on specific exercises, it relates the practicality of voice production to the challenge of a difficult text. |
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Стр. 124
... course , does not know that his number is up ; he has been fingered : Catesby : ' Tis a vile thing to die , my gracious lord , When men are unprepared and look not for it . Hastings : O monstrous , monstrous ! And so falls it out With ...
... course , does not know that his number is up ; he has been fingered : Catesby : ' Tis a vile thing to die , my gracious lord , When men are unprepared and look not for it . Hastings : O monstrous , monstrous ! And so falls it out With ...
Стр. 140
... course , but I always have a sneaking suspicion that I cannot then be discovering anything quite new . Probably this is vain , in more senses than one . But it is quite difficult writing down ' the ' exercise . That is why it is ...
... course , but I always have a sneaking suspicion that I cannot then be discovering anything quite new . Probably this is vain , in more senses than one . But it is quite difficult writing down ' the ' exercise . That is why it is ...
Стр. 161
... course ' men have died and worms have eaten them , but not for love ' . The ideas open and accumulate in the same way as for verse . Coriolanus : Aufidius IV.7 , from line 28 to the end . This is a difficult speech , so it would need ...
... course ' men have died and worms have eaten them , but not for love ' . The ideas open and accumulate in the same way as for verse . Coriolanus : Aufidius IV.7 , from line 28 to the end . This is a difficult speech , so it would need ...
Содержание
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 10
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
Библиографические данные
| Название | The Actor and the Text The Applause acting series Theatre studies |
| Автор | Cicely Berry |
| Издание: | 2, перепечатанное, исправленное |
| Издатель | Virgin, 1992 |
| Владелец оригинала: | Мичиганский университет |
| Оцифровано | 18 дек 2007 |
| ISBN | 0863697054, 9780863697050 |
| Количество страниц | Всего страниц: 303 |
| Экспорт цитаты | BiBTeX EndNote RefMan |