The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
Результаты поиска по книге
Результаты 1 – 3 из 65
Стр. 124
... course , does not know that his number is up ; he has been fingered : Catesby : ' Tis a vile thing to die , my gracious lord , When men are unprepared and look not for it . Hastings : O monstrous , monstrous ! And so falls it out With ...
... course , does not know that his number is up ; he has been fingered : Catesby : ' Tis a vile thing to die , my gracious lord , When men are unprepared and look not for it . Hastings : O monstrous , monstrous ! And so falls it out With ...
Стр. 140
... course , but I always have a sneaking suspicion that I cannot then be discovering anything quite new . Probably this is vain , in more senses than one . But it is quite difficult writing down ' the ' exercise . That is why it is ...
... course , but I always have a sneaking suspicion that I cannot then be discovering anything quite new . Probably this is vain , in more senses than one . But it is quite difficult writing down ' the ' exercise . That is why it is ...
Стр. 161
... course ' men have died and worms have eaten them , but not for love ' . The ideas open and accumulate in the same way as for verse . Coriolanus : Aufidius IV.7 , from line 28 to the end . This is a difficult speech , so it would need ...
... course ' men have died and worms have eaten them , but not for love ' . The ideas open and accumulate in the same way as for verse . Coriolanus : Aufidius IV.7 , from line 28 to the end . This is a difficult speech , so it would need ...
Содержание
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 10
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |