The Actor and the Text'The Actor & the Text' brings together the elements of articulation and verbal clarity in a practical way. Building on specific exercises, it relates the practicality of voice production to the challenge of a difficult text. |
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Стр. 21
In fact we increase the sound energy , the volume , but do not increase the verbal energy to balance with it . Now the energy required to share with a large number of people is only partly to do with volume , but it is all to do with ...
In fact we increase the sound energy , the volume , but do not increase the verbal energy to balance with it . Now the energy required to share with a large number of people is only partly to do with volume , but it is all to do with ...
Стр. 82
Chapter 4 STRUCTURES , ENERGY IMAGERY AND SOUND 1 ENERGY THROUGH THE TEXT Perhaps the most useful thing to realize is this : there is in Shakespeare an energy which runs through the text which is not a naturalistic one ; an energy which ...
Chapter 4 STRUCTURES , ENERGY IMAGERY AND SOUND 1 ENERGY THROUGH THE TEXT Perhaps the most useful thing to realize is this : there is in Shakespeare an energy which runs through the text which is not a naturalistic one ; an energy which ...
Стр. 181
You will notice how these words lift you into the next line , impel the energy . If the thought runs on over the end of the line — i.e. , enjambs , then that word will have particular energy . If one thought has come to rest in the ...
You will notice how these words lift you into the next line , impel the energy . If the thought runs on over the end of the line — i.e. , enjambs , then that word will have particular energy . If one thought has come to rest in the ...
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Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
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Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
by Trevor Nunn | 7 |
Attitudes to Voice and Text | 14 |
Heightened versus Naturalistic Text | 32 |
Авторские права | |
Не показаны другие разделы: 11
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
action active actor allow already audience aware become beginning break breath character comes consonants course deal difficult Dream emotional energy example excellent exercises eyes feel final give given Hamlet happens hear hold idea important instance interesting Juliet keep kind King language length listener live look meaning metre mind move movement nature never night notice once ourselves particularly passage patterns perhaps person phrase physical piece play possible precise present question reason repeat response rhyme rhythm Romeo round scene sense Shakespeare shape short simply sing soliloquy sonnet sound space speak specific speech stress structure style talking thing thou thought touch truth turn verse voice vowels weight whole words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
Библиографические данные
| Название | The Actor and the Text The Applause acting series Theatre studies |
| Автор | Cicely Berry |
| Издание: | 2, перепечатанное, исправленное |
| Издатель | Virgin, 1992 |
| Владелец оригинала: | Мичиганский университет |
| Оцифровано | 18 дек 2007 |
| ISBN | 0863697054, 9780863697050 |
| Количество страниц | Всего страниц: 303 |
| Экспорт цитаты | BiBTeX EndNote RefMan |