The Actor and the Text'The Actor & the Text' brings together the elements of articulation and verbal clarity in a practical way. Building on specific exercises, it relates the practicality of voice production to the challenge of a difficult text. |
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Стр. 68
However , what is important is that the speaker of the first or middle part of the line has to give it out so that it can be taken on by the next speaker . It has to be poised , and cannot be just naturalistic .
However , what is important is that the speaker of the first or middle part of the line has to give it out so that it can be taken on by the next speaker . It has to be poised , and cannot be just naturalistic .
Стр. 75
Were the world mine , Demetrius being bated , The rest I'd give to you to be translated . 0 , teach me how you look , and with what art You sway the motion of Demetrius ' heart . I frown upon him , yet he loves me still .
Were the world mine , Demetrius being bated , The rest I'd give to you to be translated . 0 , teach me how you look , and with what art You sway the motion of Demetrius ' heart . I frown upon him , yet he loves me still .
Стр. 142
1 can and should be done at all stages of rehearsal — that can only give confidence — and also scene work in small groups . Needless to say , we have to respect other people's methods of work . Having said all this , I believe the work ...
1 can and should be done at all stages of rehearsal — that can only give confidence — and also scene work in small groups . Needless to say , we have to respect other people's methods of work . Having said all this , I believe the work ...
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LibraryThing Review
Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
by Trevor Nunn | 7 |
Attitudes to Voice and Text | 14 |
Heightened versus Naturalistic Text | 32 |
Авторские права | |
Не показаны другие разделы: 11
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Часто встречающиеся слова и выражения
action active actor allow already audience aware become beginning break breath character comes consonants course difficult Dream emotional energy example excellent exercises eyes feel final give given Hamlet happens hear hold idea important instance interesting Juliet keep kind King language length listener live look meaning metre mind move movement nature never night notice once ourselves particularly passage patterns perhaps person phrase physical piece play possible precise present question reason repeat response rhyme rhythm Romeo round scene sense Shakespeare shape short simply sing soliloquy sonnet sound space speak specific speech stress structure style syllables talking thing thou thought touch truth turn verse voice vowels weight whole words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |