The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
Результаты поиска по книге
Результаты 1 – 3 из 83
Стр. 68
... give it out so that it can be taken on by the next speaker . It has to be poised , and cannot be just naturalistic . Now there are many examples you can find . In some places they are used no more than to give a quickening to the scene ...
... give it out so that it can be taken on by the next speaker . It has to be poised , and cannot be just naturalistic . Now there are many examples you can find . In some places they are used no more than to give a quickening to the scene ...
Стр. 108
... give any more examples here , because it takes time to absorb one piece of text , and in any case we will look at variations of the exercise later . But I would like to say this : it is an excellent way to begin work on any speech , for ...
... give any more examples here , because it takes time to absorb one piece of text , and in any case we will look at variations of the exercise later . But I would like to say this : it is an excellent way to begin work on any speech , for ...
Стр. 216
... give a sense of listening for something other than what is directly present . • • ( i ) ' the isle is full of noises ' : which I have already talked about on page 36 , and which gives us a very strong sense of place , and of how he ...
... give a sense of listening for something other than what is directly present . • • ( i ) ' the isle is full of noises ' : which I have already talked about on page 36 , and which gives us a very strong sense of place , and of how he ...
Содержание
by Trevor Nunn 789 | 9 |
Heightened versus Naturalistic Text | 32 |
Shakespeare Setting out the Rules | 52 |
Авторские права | |
Не показаны другие разделы: 10
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |