The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
Результаты поиска по книге
Результаты 1 – 3 из 82
Стр. 18
... important than the thought , instead of being the thought in action . So the actor remains just behind the words - a metaphorical half inch - and not quite on them . This is not a big problem , but a very common one . And what is ...
... important than the thought , instead of being the thought in action . So the actor remains just behind the words - a metaphorical half inch - and not quite on them . This is not a big problem , but a very common one . And what is ...
Стр. 151
... important that pointing becomes . ( vi ) This next exercise I rate very important , for it is to do both with defining the vowels and hearing their particular dynamic , and with defining the meaning : it is extraordinary how the meaning ...
... important that pointing becomes . ( vi ) This next exercise I rate very important , for it is to do both with defining the vowels and hearing their particular dynamic , and with defining the meaning : it is extraordinary how the meaning ...
Стр. 240
... important in all of them . But that sense of shaping does not generalize ; it rather throws up the particular nature ... important to say . ― I say all this because I think it is important to be clear as to how and why we are working on ...
... important in all of them . But that sense of shaping does not generalize ; it rather throws up the particular nature ... important to say . ― I say all this because I think it is important to be clear as to how and why we are working on ...
Содержание
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 10
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |