The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Стр. 23
... interesting , for they come from a deeper current within us . Words are so often much rougher and more anarchic than we allow them to be . This feeling that we need to present and be interesting , even at early stages of rehearsal ...
... interesting , for they come from a deeper current within us . Words are so often much rougher and more anarchic than we allow them to be . This feeling that we need to present and be interesting , even at early stages of rehearsal ...
Стр. 24
... interesting enough , it is rarely to do with it not being good enough , but simply that it is not being given the right stimulus . Again , what I am going to say will seem simple , but the deeper we take it the more important it will be ...
... interesting enough , it is rarely to do with it not being good enough , but simply that it is not being given the right stimulus . Again , what I am going to say will seem simple , but the deeper we take it the more important it will be ...
Стр. 49
... interesting to note that a good political speaker has a skill with the same structures of speech that we find in dramatic verse , only he happens to use prose . He is aware of the emotive power of rhythm , of the patterns of sound and ...
... interesting to note that a good political speaker has a skill with the same structures of speech that we find in dramatic verse , only he happens to use prose . He is aware of the emotive power of rhythm , of the patterns of sound and ...
Содержание
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 10
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |