The Actor and the Text'The Actor & the Text' brings together the elements of articulation and verbal clarity in a practical way. Building on specific exercises, it relates the practicality of voice production to the challenge of a difficult text. |
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Стр. 21
... force in the context of the society we live in . Words spring from many layers of consciousness : from the ordinary management of our everyday lives , to the unguarded expression of deep feeling . We must be ready for their shifts .
... force in the context of the society we live in . Words spring from many layers of consciousness : from the ordinary management of our everyday lives , to the unguarded expression of deep feeling . We must be ready for their shifts .
Стр. 22
In all live performance there is something more that has to be done to make the language telling to the audience . This is of course apparent in heightened language , but I believe it to be true of naturalistic writing as well .
In all live performance there is something more that has to be done to make the language telling to the audience . This is of course apparent in heightened language , but I believe it to be true of naturalistic writing as well .
Стр. 256
We make ourselves as much as we make the houses in which we live But we make ourselves without plans : and even our tools we have to invent as we work There you see the convulsions of history Truly you live in a new age : as you enter ...
We make ourselves as much as we make the houses in which we live But we make ourselves without plans : and even our tools we have to invent as we work There you see the convulsions of history Truly you live in a new age : as you enter ...
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LibraryThing Review
Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
by Trevor Nunn | 7 |
Attitudes to Voice and Text | 14 |
Heightened versus Naturalistic Text | 32 |
Авторские права | |
Не показаны другие разделы: 11
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Часто встречающиеся слова и выражения
action active actor allow already audience aware become beginning break breath character comes consonants course difficult Dream emotional energy example excellent exercises eyes feel final give given Hamlet happens hear hold idea important instance interesting Juliet keep kind King language length listener live look meaning metre mind move movement nature never night notice once ourselves particularly passage patterns perhaps person phrase physical piece play possible precise present question reason repeat response rhyme rhythm Romeo round scene sense Shakespeare shape short simply sing soliloquy sonnet sound space speak specific speech stress structure style syllables talking thing thou thought touch truth turn verse voice vowels weight whole words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |