The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Стр. 19
... live through the thought as it happens . The result is that the speaking becomes what I call passive , and not active , in that we are presenting the result of a thought and not the thought itself . We are then at one remove from the ...
... live through the thought as it happens . The result is that the speaking becomes what I call passive , and not active , in that we are presenting the result of a thought and not the thought itself . We are then at one remove from the ...
Стр. 21
... live in . Words spring from many layers of consciousness : from the ordinary management of our everyday lives , to the unguarded expression of deep feeling . We must be ready for their shifts . ( d ) How we present language The fourth ...
... live in . Words spring from many layers of consciousness : from the ordinary management of our everyday lives , to the unguarded expression of deep feeling . We must be ready for their shifts . ( d ) How we present language The fourth ...
Стр. 22
... live through the words as they happen , because we begin to feel out of control of the sense . I know from my experience in working on Shakespeare with groups of schoolchildren - mainly 15 to 18 - year - olds - that those who are ...
... live through the words as they happen , because we begin to feel out of control of the sense . I know from my experience in working on Shakespeare with groups of schoolchildren - mainly 15 to 18 - year - olds - that those who are ...
Содержание
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 10
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |