The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Стр. 34
... naturalistic ' and ' heightened ' . I am taking heightened text to mean writing which is built on a rhythmic structure , where there is compression of imagery , and where we understand as much through the logic of the imagery as through ...
... naturalistic ' and ' heightened ' . I am taking heightened text to mean writing which is built on a rhythmic structure , where there is compression of imagery , and where we understand as much through the logic of the imagery as through ...
Стр. 35
... naturalistic , or ' real ' , it is easy to throw away too much : the audience then loses the resonance . What I want to deal with briefly here is the contrast between the heightened poetic text of Shakespeare and the Jacobeans , and the ...
... naturalistic , or ' real ' , it is easy to throw away too much : the audience then loses the resonance . What I want to deal with briefly here is the contrast between the heightened poetic text of Shakespeare and the Jacobeans , and the ...
Стр. 255
... naturalistic writing . 4 MODERN TEXT This of course would make material for a whole book on its own , there is so much variety of approach that could be used . The point I would make clearly is that however naturalistic the dialogue ...
... naturalistic writing . 4 MODERN TEXT This of course would make material for a whole book on its own , there is so much variety of approach that could be used . The point I would make clearly is that however naturalistic the dialogue ...
Содержание
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Авторские права | |
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |