The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Стр. 24
... perhaps do more ambitious parts . Because every job presents different challenges they have to renew ways of exploring character and character relationships , of relating to the narrative and style of each particular production ; they ...
... perhaps do more ambitious parts . Because every job presents different challenges they have to renew ways of exploring character and character relationships , of relating to the narrative and style of each particular production ; they ...
Стр. 49
... perhaps extreme , and what has it to do with acting ? I think it makes for a climate where text which is verbally explicit is not so believable in today's terms , and is therefore harder for the actor to fill we feel awkward with its ...
... perhaps extreme , and what has it to do with acting ? I think it makes for a climate where text which is verbally explicit is not so believable in today's terms , and is therefore harder for the actor to fill we feel awkward with its ...
Стр. 191
... Perhaps pleasure is the wrong word — perhaps it is a sense of their value . It enables you to both live through the words , but evaluate them at the same time . When working on a part , you will of course investigate thoroughly the ...
... Perhaps pleasure is the wrong word — perhaps it is a sense of their value . It enables you to both live through the words , but evaluate them at the same time . When working on a part , you will of course investigate thoroughly the ...
Содержание
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Авторские права | |
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |