The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Стр. 27
... phrases which are all part of the whole thought , and it would be possible to speak them naturalistically making sense of each phrase , and break the speech up accordingly . In this way Othello would be explaining his feelings to Iago ...
... phrases which are all part of the whole thought , and it would be possible to speak them naturalistically making sense of each phrase , and break the speech up accordingly . In this way Othello would be explaining his feelings to Iago ...
Стр. 183
... phrase , though best not too long a phrase and it can be only one word . This the group has to sense . Now to begin with you may get several people speaking at a time , but as it comes together , you will find you get a shared sense ...
... phrase , though best not too long a phrase and it can be only one word . This the group has to sense . Now to begin with you may get several people speaking at a time , but as it comes together , you will find you get a shared sense ...
Стр. 207
... phrase lifted ( i.e. , those before the mark ) , not necessarily paused on , in order to get the main points of the argument . A simple statement , which spreads . This sets up the antithesis between his brother and himself : I have ...
... phrase lifted ( i.e. , those before the mark ) , not necessarily paused on , in order to get the main points of the argument . A simple statement , which spreads . This sets up the antithesis between his brother and himself : I have ...
Содержание
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Авторские права | |
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |