The Actor and the Text'The Actor & the Text' brings together the elements of articulation and verbal clarity in a practical way. Building on specific exercises, it relates the practicality of voice production to the challenge of a difficult text. |
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Стр. 78
They need care because they provide a formal ending to what may have been a free and naturalistic piece of writing ; so again it is to do with style . They are a gesture in verbal terms , rather like a music - hall comedian who lifts ...
They need care because they provide a formal ending to what may have been a free and naturalistic piece of writing ; so again it is to do with style . They are a gesture in verbal terms , rather like a music - hall comedian who lifts ...
Стр. 148
The valuable exercise on your own is to work on a piece of text as in ( v ) . Decide what piece of text you are going to do , then work through it spreading your arms first on the last word in each line , then on , say , one word per ...
The valuable exercise on your own is to work on a piece of text as in ( v ) . Decide what piece of text you are going to do , then work through it spreading your arms first on the last word in each line , then on , say , one word per ...
Стр. 255
Two pieces : one Chorus from the second of Bond's War Plays , The Tin Can People ; and a short piece from Sus by Barrie Keeffe . It seems to me very important that we look for the formal in modern writing , because in our own familiar ...
Two pieces : one Chorus from the second of Bond's War Plays , The Tin Can People ; and a short piece from Sus by Barrie Keeffe . It seems to me very important that we look for the formal in modern writing , because in our own familiar ...
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Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
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Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
by Trevor Nunn | 7 |
Attitudes to Voice and Text | 14 |
Heightened versus Naturalistic Text | 32 |
Авторские права | |
Не показаны другие разделы: 11
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
action active actor allow already audience aware become beginning break breath character comes consonants course difficult Dream emotional energy example excellent exercises eyes feel final give given Hamlet happens hear hold idea important instance interesting Juliet keep kind King language length listener live look meaning metre mind move movement nature never night notice once ourselves particularly passage patterns perhaps person phrase physical piece play possible precise present question reason repeat response rhyme rhythm Romeo round scene sense Shakespeare shape short simply sing soliloquy sonnet sound space speak specific speech stress structure style syllables talking thing thou thought touch truth turn verse voice vowels weight whole words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
Библиографические данные
| Название | The Actor and the Text The Applause acting series Theatre studies |
| Автор | Cicely Berry |
| Издание: | 2, перепечатанное, исправленное |
| Издатель | Virgin, 1992 |
| Владелец оригинала: | Мичиганский университет |
| Оцифровано | 18 дек 2007 |
| ISBN | 0863697054, 9780863697050 |
| Количество страниц | Всего страниц: 303 |
| Экспорт цитаты | BiBTeX EndNote RefMan |