The Actor and the Text'The Actor & the Text' brings together the elements of articulation and verbal clarity in a practical way. Building on specific exercises, it relates the practicality of voice production to the challenge of a difficult text. |
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Стр. 190
The important thing is to be precise about the task in hand ; make that the important thing in your mind , and let the text take care of itself . ( üi ) Now for one which I feel is particuarly valuable in finding the inner response ...
The important thing is to be precise about the task in hand ; make that the important thing in your mind , and let the text take care of itself . ( üi ) Now for one which I feel is particuarly valuable in finding the inner response ...
Стр. 191
If the text is fussy and precise then draw the pattern on the carpet , or anything around you that has a pattern . If the text is active , and of now , then draw what you can see out of the window , or simply draw what is on the other ...
If the text is fussy and precise then draw the pattern on the carpet , or anything around you that has a pattern . If the text is active , and of now , then draw what you can see out of the window , or simply draw what is on the other ...
Стр. 195
This clarifies your own choices in terms of that relationship , and again makes the words you finally choose that much more precise . You realize your relationship , and what you want out of it , in terms of the text .
This clarifies your own choices in terms of that relationship , and again makes the words you finally choose that much more precise . You realize your relationship , and what you want out of it , in terms of the text .
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LibraryThing Review
Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
by Trevor Nunn | 7 |
Attitudes to Voice and Text | 14 |
Heightened versus Naturalistic Text | 32 |
Авторские права | |
Не показаны другие разделы: 11
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Часто встречающиеся слова и выражения
action active actor allow already audience aware become beginning break breath character comes consonants course difficult Dream emotional energy example excellent exercises eyes feel final give given Hamlet happens hear hold idea important instance interesting Juliet keep kind King language length listener live look meaning metre mind move movement nature never night notice once ourselves particularly passage patterns perhaps person phrase physical piece play possible precise present question reason repeat response rhyme rhythm Romeo round scene sense Shakespeare shape short simply sing soliloquy sonnet sound space speak specific speech stress structure style syllables talking thing thou thought touch truth turn verse voice vowels weight whole words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |