The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Стр. 20
... responses in us , which are totally subjective . We know we can still be stirred by words spoken in public , without ... response separate from the feeling . - For instance , if there is something in our life about which we have a deep ...
... responses in us , which are totally subjective . We know we can still be stirred by words spoken in public , without ... response separate from the feeling . - For instance , if there is something in our life about which we have a deep ...
Стр. 22
... response This last point may seem obvious , but I think it is crucial , and I think it underlies what is unimaginative in the end result of speaking : it is to do with an over - educated response to words . We learn dialogue from a ...
... response This last point may seem obvious , but I think it is crucial , and I think it underlies what is unimaginative in the end result of speaking : it is to do with an over - educated response to words . We learn dialogue from a ...
Стр. 24
... response to words . I think that when the voice is not interesting enough , it is rarely to do with it not being good enough , but simply that it is not being given the right stimulus . Again , what I am going to say will seem simple ...
... response to words . I think that when the voice is not interesting enough , it is rarely to do with it not being good enough , but simply that it is not being given the right stimulus . Again , what I am going to say will seem simple ...
Содержание
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Авторские права | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |