The Actor and the Text'The Actor & the Text' brings together the elements of articulation and verbal clarity in a practical way. Building on specific exercises, it relates the practicality of voice production to the challenge of a difficult text. |
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Стр. 73
Now you will have noticed the last examples are in rhyme , which leads us to just that point . 2b : Rhyme . There is nothing difficult about this : we simply have to be alert to it and use it , we have to allow it its artificiality .
Now you will have noticed the last examples are in rhyme , which leads us to just that point . 2b : Rhyme . There is nothing difficult about this : we simply have to be alert to it and use it , we have to allow it its artificiality .
Стр. 77
So we have to be alert to rhyme and enjoy using it : for we must remember that pleasure in rhyme is a very basic instinct , which ... simply with a delight in the turning of a word , as in children's rhymes , music - hall songs , etc.
So we have to be alert to rhyme and enjoy using it : for we must remember that pleasure in rhyme is a very basic instinct , which ... simply with a delight in the turning of a word , as in children's rhymes , music - hall songs , etc.
Стр. 78
We also need to be alert to internal rhymes that is rhymes which occur within one line ; these are often quite subtle , and just have to be listened for . And now to the last variation : a 2C : Final rhyming couplets .
We also need to be alert to internal rhymes that is rhymes which occur within one line ; these are often quite subtle , and just have to be listened for . And now to the last variation : a 2C : Final rhyming couplets .
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LibraryThing Review
Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
by Trevor Nunn | 7 |
Attitudes to Voice and Text | 14 |
Heightened versus Naturalistic Text | 32 |
Авторские права | |
Не показаны другие разделы: 11
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Часто встречающиеся слова и выражения
action active actor allow already audience aware become beginning break breath character comes consonants course difficult Dream emotional energy example excellent exercises eyes feel final give given Hamlet happens hear hold idea important instance interesting Juliet keep kind King language length listener live look meaning metre mind move movement nature never night notice once ourselves particularly passage patterns perhaps person phrase physical piece play possible precise present question reason repeat response rhyme rhythm Romeo round scene sense Shakespeare shape short simply sing soliloquy sonnet sound space speak specific speech stress structure style syllables talking thing thou thought touch truth turn verse voice vowels weight whole words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |