The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Стр. 199
... Scene 1 ) . It would also work for Hamlet , Rosencrantz and Guildenstern , at the end of III.2 . , when they are ... scene , and which feeds the words in a new way , is this : Make your space in the middle of the floor , for two or three ...
... Scene 1 ) . It would also work for Hamlet , Rosencrantz and Guildenstern , at the end of III.2 . , when they are ... scene , and which feeds the words in a new way , is this : Make your space in the middle of the floor , for two or three ...
Стр. 221
... scenes , as speeches do , open up and flower . Now obviously I have put this in very simplified terms , and how the pattern unfolds depends on the texture and complexity of the scene . In the big central scenes the structures will ...
... scenes , as speeches do , open up and flower . Now obviously I have put this in very simplified terms , and how the pattern unfolds depends on the texture and complexity of the scene . In the big central scenes the structures will ...
Стр. 299
... Scene 2 60 Act II Scene 3 91 Act III Scene 2 Act IV Scene 1 Act V Scene 1 85722 61 , 119 123 The Taming of the Shrew Act V Scene 2 63 The Tempest Act III Scene 2 36 The Winter's Tale Act I Scene 2 69 , 123 , 135 , 136 , 290 , 291 Act I ...
... Scene 2 60 Act II Scene 3 91 Act III Scene 2 Act IV Scene 1 Act V Scene 1 85722 61 , 119 123 The Taming of the Shrew Act V Scene 2 63 The Tempest Act III Scene 2 36 The Winter's Tale Act I Scene 2 69 , 123 , 135 , 136 , 290 , 291 Act I ...
Содержание
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Авторские права | |
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |