The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Стр. 180
... sonnet . Notice that within the larger thought structure there are still the different textures of the individual parts of the thought . This is a good sequence of exercises , and it is good to work through on a sonnet first to see ...
... sonnet . Notice that within the larger thought structure there are still the different textures of the individual parts of the thought . This is a good sequence of exercises , and it is good to work through on a sonnet first to see ...
Стр. 246
... Sonnets 43 to 47 would be good to look at , or Sonnet 118. Or for very much more complex characters , like for instance Angelo in Measure for Measure , Sonnets 129 and 147 would be very useful to look at . You need to look through and ...
... Sonnets 43 to 47 would be good to look at , or Sonnet 118. Or for very much more complex characters , like for instance Angelo in Measure for Measure , Sonnets 129 and 147 would be very useful to look at . You need to look through and ...
Стр. 299
... Sonnets Sonnet 12 Sonnet 18 Sonnet 27 Sonnet 29 Sonnet 29 Sonnet 44 Sonnet 46 Sonnet 47 Sonnet 57 Sonnet 69 Sonnet 87 Sonnet 102 Sonnet 113 Sonnet 129 Sonnet 138 Sonnet 138 Sonnet 147 OTHER PLAY TEXTS Bond , Edward Lear , The Tin Can ...
... Sonnets Sonnet 12 Sonnet 18 Sonnet 27 Sonnet 29 Sonnet 29 Sonnet 44 Sonnet 46 Sonnet 47 Sonnet 57 Sonnet 69 Sonnet 87 Sonnet 102 Sonnet 113 Sonnet 129 Sonnet 138 Sonnet 138 Sonnet 147 OTHER PLAY TEXTS Bond , Edward Lear , The Tin Can ...
Содержание
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |