The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Стр. 187
... speak they just begin to take on a different texture . And because it is slightly ridiculous , you are free to enjoy the language . - It is also always good to speak text rocking on the floor , feeling your weight . It always helps the ...
... speak they just begin to take on a different texture . And because it is slightly ridiculous , you are free to enjoy the language . - It is also always good to speak text rocking on the floor , feeling your weight . It always helps the ...
Стр. 188
... talk among themselves and pay no attention to the speaker . Either way , it must highlight the need to communicate , and perhaps the loneliness of solitary thoughts . ( viii ) Again only one person to speak the text , but the rest of ...
... talk among themselves and pay no attention to the speaker . Either way , it must highlight the need to communicate , and perhaps the loneliness of solitary thoughts . ( viii ) Again only one person to speak the text , but the rest of ...
Стр. 194
... Speak the text through , and the character ( s ) who are listening , comment , either through their own words or the words of the text , on what is being said to them as you speak . This clarifies your relationship to the other ...
... Speak the text through , and the character ( s ) who are listening , comment , either through their own words or the words of the text , on what is being said to them as you speak . This clarifies your relationship to the other ...
Содержание
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 10
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |