The Actor and the Text'The Actor & the Text' brings together the elements of articulation and verbal clarity in a practical way. Building on specific exercises, it relates the practicality of voice production to the challenge of a difficult text. |
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Стр. 34
Then there is a huge amount of dramatic prose writing , from Restoration comedy to Shaw and Coward , which is highly shaped in style , and though not verse , is certainly not naturalistic . It seems as though the ideas are there before ...
Then there is a huge amount of dramatic prose writing , from Restoration comedy to Shaw and Coward , which is highly shaped in style , and though not verse , is certainly not naturalistic . It seems as though the ideas are there before ...
Стр. 35
To an extent all writing is heightened , for through the style we apprehend part of the meaning : the audience must therefore be able to recognize the style . In being naturalistic , or ` real ' , it is easy to throw away too much : the ...
To an extent all writing is heightened , for through the style we apprehend part of the meaning : the audience must therefore be able to recognize the style . In being naturalistic , or ` real ' , it is easy to throw away too much : the ...
Стр. 171
Also we have to find out how we want to use it , and this will vary with each production , as each production takes on its particular style . What I want you to feel is that there is something very subtle which happens when you get to ...
Also we have to find out how we want to use it , and this will vary with each production , as each production takes on its particular style . What I want you to feel is that there is something very subtle which happens when you get to ...
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Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
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Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
by Trevor Nunn | 7 |
Attitudes to Voice and Text | 14 |
Heightened versus Naturalistic Text | 32 |
Авторские права | |
Не показаны другие разделы: 11
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
action active actor allow already audience aware become beginning break breath character comes consonants course difficult Dream emotional energy example excellent exercises eyes feel final give given Hamlet happens hear hold idea important instance interesting Juliet keep kind King language length listener live look meaning metre mind move movement nature never night notice once ourselves particularly passage patterns perhaps person phrase physical piece play possible precise present question reason repeat response rhyme rhythm Romeo round scene sense Shakespeare shape short simply sing soliloquy sonnet sound space speak specific speech stress structure style syllables talking thing thou thought touch truth turn verse voice vowels weight whole words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
Библиографические данные
| Название | The Actor and the Text The Applause acting series Theatre studies |
| Автор | Cicely Berry |
| Издание: | 2, перепечатанное, исправленное |
| Издатель | Virgin, 1992 |
| Владелец оригинала: | Мичиганский университет |
| Оцифровано | 18 дек 2007 |
| ISBN | 0863697054, 9780863697050 |
| Количество страниц | Всего страниц: 303 |
| Экспорт цитаты | BiBTeX EndNote RefMan |