The Actor and the Text
Virgin, 1992 - Всего страниц: 303
'The Actor & the Text' brings together the elements of articulation and verbal clarity in a practical way. Building on specific exercises, it relates the practicality of voice production to the challenge of a difficult text.
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We have to see the breath not simply as the means by which we make good sound and communicate information ; but rather we have to see it as the physical life of the thought , so that we conceive the breath and the thought as one .
pulse , and of how the thought unfolds . Still thinking only of line endings , look at this next ... As the speech progresses the line endings become less defined , and this reinforces the sense that his thoughts get out of control .
Yet this is not a statement , the result of thought , or there would be no need for the rest of the speech . It is a proposal : it is Brutus awakening to the idea , forming the thought into words .
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LibraryThing ReviewПользовательский отзыв - DeborahJ2016 - LibraryThing
A guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing ReviewПользовательский отзыв - Roger_Scoppie - LibraryThing
This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
by Trevor Nunn
Attitudes to Voice and Text
Heightened versus Naturalistic Text
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