The Actor and the TextVirgin, 1992 - Всего страниц: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Стр. 128
... thoughts put us in touch with the life - force of the character , even when the purposes are dark . While we are speaking we are still asserting . 8 STRUCTURE OF SPEECHES What I want to look at now is the structure of speeches . As ...
... thoughts put us in touch with the life - force of the character , even when the purposes are dark . While we are speaking we are still asserting . 8 STRUCTURE OF SPEECHES What I want to look at now is the structure of speeches . As ...
Стр. 180
... thought structure and the second group speaking the next thought structure , and so on . This furthers the idea of a debate going on within the sonnet . Notice that within the larger thought structure there are still the different ...
... thought structure and the second group speaking the next thought structure , and so on . This furthers the idea of a debate going on within the sonnet . Notice that within the larger thought structure there are still the different ...
Стр. 229
... structure depends on : ( i ) How the metre is disposed within a line , and how the sense stress works with the metre stress . ( ii ) The through energies of line , thought phrase , and whole thought structure . We have to be aware of ...
... structure depends on : ( i ) How the metre is disposed within a line , and how the sense stress works with the metre stress . ( ii ) The through energies of line , thought phrase , and whole thought structure . We have to be aware of ...
Содержание
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 10
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |