The Actor and the Text'The Actor & the Text' brings together the elements of articulation and verbal clarity in a practical way. Building on specific exercises, it relates the practicality of voice production to the challenge of a difficult text. |
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Стр. 10
However , I think it would be limiting if we left it there as an end in itself , so I have made reference to modern writing , for this always feeds our response to Shakespeare , and vice versa . We are always lucky when we have an ...
However , I think it would be limiting if we left it there as an end in itself , so I have made reference to modern writing , for this always feeds our response to Shakespeare , and vice versa . We are always lucky when we have an ...
Стр. 34
We will take up all these points again , but first let me define what I mean by ' naturalistic ' and ' heightened ' . a I am taking heightened text to mean writing which is built on a rhythmic structure , where there is compression of ...
We will take up all these points again , but first let me define what I mean by ' naturalistic ' and ' heightened ' . a I am taking heightened text to mean writing which is built on a rhythmic structure , where there is compression of ...
Стр. 255
a This is a debate , wonderfully shaped and argued ; and , as I say , all Shaw makes excellent practice , for it is both modern and formal , and makes us better able to recognize the shaping that occurs within quite naturalistic writing ...
a This is a debate , wonderfully shaped and argued ; and , as I say , all Shaw makes excellent practice , for it is both modern and formal , and makes us better able to recognize the shaping that occurs within quite naturalistic writing ...
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Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
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Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
by Trevor Nunn | 7 |
Attitudes to Voice and Text | 14 |
Heightened versus Naturalistic Text | 32 |
Авторские права | |
Не показаны другие разделы: 11
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
action active actor allow already audience aware become beginning break breath character comes consonants course difficult Dream emotional energy example excellent exercises eyes feel final give given Hamlet happens hear hold idea important instance interesting Juliet keep kind King language length listener live look meaning metre mind move movement nature never night notice once ourselves particularly passage patterns perhaps person phrase physical piece play possible precise present question reason repeat response rhyme rhythm Romeo round scene sense Shakespeare shape short simply sing soliloquy sonnet sound space speak specific speech stress structure style syllables talking thing thou thought touch truth turn verse voice vowels weight whole words writing
Ссылки на эту книгу
Script Analysis for Actors, Directors, and Designers James Michael Thomas Ограниченный просмотр - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
Библиографические данные
| Название | The Actor and the Text The Applause acting series Theatre studies |
| Автор | Cicely Berry |
| Издание: | 2, перепечатанное, исправленное |
| Издатель | Virgin, 1992 |
| Владелец оригинала: | Мичиганский университет |
| Оцифровано | 18 дек 2007 |
| ISBN | 0863697054, 9780863697050 |
| Количество страниц | Всего страниц: 303 |
| Экспорт цитаты | BiBTeX EndNote RefMan |