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LIST OF ILLUSTRATIONS

1. Portrait of John MILTON
2. MILTON PLAYING TO HIS DAUGHTERS

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Frontispiece
Title-page

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PARADISE LOST

BOOK I.

THE ARGUMENT.

This First Book proposes, first in brief, the whole subject, Man's disobedi ence, and the loss thereupon of Paradise wherein he was placed: then touches the prime cause of his fall, the serpent, or rather Satan in the serpent; who revolting from God, and drawing to his side many legions of angels, was by the command of God driven out of Heaven, with all his crew, into the great deep. Which action passed over, the poem hastens into the midst of things, presenting Satan with his angels now fallen into Hell, described here, not in the centre (for Heaven and Earth may be supposed as yet not made, certainly not yet accursed), but in a place of utter darkness, fitliest called Chaos: here Satan with his angels lying on the burning lake, thunderstruck and astonished, after a certain space recovers, as from confusion, calls up him who next in order and dignity lay by him; they confer of their miserable fall. Satan awakens all his legions, who lay till then in the same manner confounded; they rise, their numbers, array of battle, their chief leaders named, according to the idols known afterwards in Canaan and the countries adjoining. To these Satan directs his speech, comforts them with hope yet of regaining Heaven, but tells them lastly of a new world and new kind of creature to be created, according to an ancient prophecy or report in Heaven; for that angels were long before this visible creation, was the opinion of many ancient fathers. To find out the truth of this prophecy, and what to determine thereon, he refers to a full council. What his associates thence attempt. Pandemonium, the palace of Satan, rises suddenly built out of the deep: the infernal peers there sit in council.

Or Man's first disobedience, and the fruit

Of that forbidden tree, whose mortal taste

Brought death into the world, and all our woe,

With loss of Eden, till one greater Man

Restore us, and regain the blissful seat,

Sing heavenly Muse, that on the secret* top

Of Oreb, or of Sinai, didst inspire

That shepherd,† who first taught the chosen seed,
In the beginning how the Heavens and Earth
Rose out of Chaos: or if Sion hill

ΤΟ

* Endless difficulties have been raised respecting this epithet, yet it seems perfectly clear and appropriate. The poet evidently refers to Horeb or Sinai, the two heights, be it remembered, of one mountain.

+ Moses. Cf. Exod. iii. 1.

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