Complementary Modes of Representation in Keats, Novalis, and ShelleyP. Lang, 2001 - 209 էջ This book explores the crisis of Romantic representation by regarding the literary text not only as a figuration of what lies beyond it, but by also considering how its figures are involved in more complex interactions among inner visions, textual representations, and their subsequent interpretations. This approach to the problem of representation aims at redefining the indeterminacies of the Romantic text by analyzing it in terms of the Romantic process of becoming, of its self-revisions, and self-interpretations. Instead of locating differential structures within the text that denote the impossibility of reconciling conception and expression, this book seeks to reconstruct the text as a totality by suggesting that its different modes of representation do not contradict, but complement each other. The construction of the paradigm of complementarity, based on German Romantic aesthetics and German and English Romantic literature, is positioned as an alternative to the approaches of deconstruction. |
Բովանդակություն
Chapter | 19 |
Chapter | 33 |
Chapter Three | 53 |
Հեղինակային իրավունք | |
6 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
act of beholding act of interpretation act of Vorstellung aesthetic allegorical modes allegorical reading Anschauung Apollo Apollonian art form Benjamin's canto classical Darstellung complementary relationship conception contained creates Creuzer Cythna Dargestellte Darstellung and Vorstellung deconstruction defines differential structure discourse drama Fall of Hyperion figure forms of Darstellung forms of representation fragment Friedrich Schlegel genres Hegel Heinrich von Ofterdingen Heinrich's dream Herr hybrid Hyperion poems ideal inner vision interpretive Vorstellung intersection Keats's language Laon Laon's Märchen material presence meaning metaphor mirror mise en abyme modes of representation Moneta's mystical symbol narrative narrator narrator's notion Novalis Novalis's novel paradigm of complementarity plastic symbol poem poetic poetry puppets reveals Revolt of Islam Romantic ruins Saturn scenes of reading Schiller sculpture self-reflexivity Shelley Shelley's stage structure symbol and allegory symbolic visions tale tensions text's transcendent underlying unravel verbal visionary visual Vorstellung and Darstellung Walter Benjamin Whereas Woman Woman's tale writes
Վկայակոչումներ այս գրքի մասին
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Դիտել հնարավոր չէ - 2005 |