The English Prosody: With Rules Deduced from the Genius of Our Language, and the Examples of the PoetsCrocker, 1847 - 152 էջ |
From inside the book
Արդյունքներ 31–ի 1-ից 5-ը:
Էջ 5
... equal propriety , in Eng- lish verse , they may be called , great and small quantity . These , when thus arranged , form a contrast to each other ; and these are constituted , principally , by accent and cadence ; but not altogether ...
... equal propriety , in Eng- lish verse , they may be called , great and small quantity . These , when thus arranged , form a contrast to each other ; and these are constituted , principally , by accent and cadence ; but not altogether ...
Էջ xiii
... equal propriety , in Eng- lish verse , they may be called , great and small quantity . These , when thus arranged , form a contrast to each other ; and these are constituted , principally , by accent and cadence ; but not altogether and ...
... equal propriety , in Eng- lish verse , they may be called , great and small quantity . These , when thus arranged , form a contrast to each other ; and these are constituted , principally , by accent and cadence ; but not altogether and ...
Էջ 7
... equal to that of a comma . These may serve for general rules for the lengths of those pauses , in prose and verse . And it may be observed that the above defined pauses have no measured time for their lengths : their lengths are only ...
... equal to that of a comma . These may serve for general rules for the lengths of those pauses , in prose and verse . And it may be observed that the above defined pauses have no measured time for their lengths : their lengths are only ...
Էջ 10
... equal force of accent ; as the spondee , the bacchy , the antibacchy , and amphimac . And we may also observe , by inspecting our iambic compositions , that the long sounds are not always composed of full accents : nor is this always ...
... equal force of accent ; as the spondee , the bacchy , the antibacchy , and amphimac . And we may also observe , by inspecting our iambic compositions , that the long sounds are not always composed of full accents : nor is this always ...
Էջ 21
... equal to the task ; and in no other . 7 . I will now close this section , by citing one example of verse , which is very irregular , both in the order of its construction , and also in form . " The músic | of Cărryl , I was , like the ...
... equal to the task ; and in no other . 7 . I will now close this section , by citing one example of verse , which is very irregular , both in the order of its construction , and also in form . " The músic | of Cărryl , I was , like the ...
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The English Prosody: With Rules Deduced from the Genius of Our Language, and ... Asa Humphrey Ամբողջությամբ դիտվող - 1847 |
The English Prosody; with Rules Deduced from the Genius of Our Language, and ... Asa Humphrey Դիտել հնարավոր չէ - 2013 |
The English Prosody: With Rules Deduced from the Genius of Our Language, and ... Asa Humphrey Դիտել հնարավոր չէ - 2019 |
Common terms and phrases
accent and cadence adapted amphibrachic verse amphimac anapæstic verse ănd antibacchy antient arranged bacchy bards blank verse cæsural pause called CHAPTER Cite examples comma marks common Composite Orders couplet dactyle descriptive different kinds emphasis English prosody foot foregoing four feet metre genius grammar Greeks half spondee harmony hence iambic verse iambus irregular kinds of feet kinds of verse language long and short lyre lyric manner melody mode of scansion moloss monosyllable movement nature necessary numbers o'er observed in reading Orthoepy pertaining to verse Pindaric poem poetic pauses poetical composition poetry poets principles proper properly pyrrhic Questions and Exercises reading verse regular correspondence regular order rhyme rules and precepts Sapphic Sappho SECT sentiment sheer iambic short quantity short syllables sometimes song sounds and pauses species stanza strophe style syntax pauses technical terms thě thee thou tion tones Tribrachs trochaic verse trochee verse is composed versification voice words