Homeland Mythology: Biblical Narratives in American Culture
Penn State Press, 10 սեպ, 2015 թ. - 288 էջ
Since 9/11, America has presented itself to the world as a Christianist culture, no less antimodern and nostalgic for an idealized past than its Islamist foes. The master-narrative both sides share might sound like this: Once upon a time, the values of the righteous community coincided with those of the state. Home and land were harmoniously united under God. But through intellectual pride (read: science) and disobedience (read: human rights), this God-blessed homeland was lost and is now worth every drop of blood it takes, ours and others’, to recover.
For Americans, the prime source for this once-and-future-kingdom myth is the Bible, with its many narratives of blessings gained, lost, and regained: the garden of Eden, the covenant with Abraham, the bondage in Egypt, the exodus under Moses, the glory of David and Solomon’s realm, the coming of the promised Messiah, his crucifixion, resurrection, and ascension into heaven, his apocalyptic return at the end of history, and his establishment of the earthly kingdom of God. As Homeland Mythology shows, these biblical narratives have, over time, inspired a multitude of nationalist narratives, myths ingeniously spun out to justify a number of decidedly unchristian policies and institutions—from Indian genocide, the slave trade, and the exploitation of immigrant workers to Manifest Destiny, imperial expansionism, and, most recently, preemptive war.
On March 25, 2001, George W. Bush shared a bit of political wisdom: “You can fool some of the people all of the time—and those are the ones you have to concentrate on.” The cynical use of religion to cloak criminal behavior is always worth exposing, but why our leaders lie to us is no longer a mystery. What does remain mysterious is why so many of us are disposed to believe their lies. The unexamined issue that this book addresses is, therefore, not the mendacity of the few, but the credulity of the many.
Արդյունքներ 16–ի 1-ից 5-ը:
In an oral society, a myth is a narrative believed important enough to be passed down from generation to generation. As a collection of such orally transmitted stories, a mythology constitutes the preserved wisdom of a people.
Once we define it as a public narration and the social context of its retelling as essential to its function, we realize that myth is a phenomenon not confined to purely oral cultures. Myth is a function of human sociality regardless of ...
Indeed, how significant are the differences between secondary and primary orality, the oral culture of preliterates? Insofar as we inhabit a global village of electronic storytelling, we inhabit a world that is neither modern nor ...
comprised all manner of seers, shamans, sibyls, and mages, their new revelations each couched in the unforgotten cultural idiom of particular peoples, their master narratives or oral canon of myths. The need of rulers, then and now, ...
Դուք հասել եք այս գրքի դիտումների առավելագույն քանակին.