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Westminster Abbey

WASHINGTON IRVING

Westminster Abbey

When I behold, with deep astonishment,
To famous Westminster how there resorte,
Living in brasse or stony monument,
The princes and the worthies of all sorte;
Doe not I see reformde nobilitie,
Without contempt, or pride, or ostentation,
And looke upon offenseless majesty,
Naked of pomp or earthly domination?
And how a play-game of a painted stone
Contents the quiet now and silent sprites,
Whome all the world which late they stood upon,
Could not content nor quench their appetites.
Life is a frost of cold felicitie,

And death the thaw of all our vanitie.

Christolero's Epigrams, by T. B. 1598.

On one of these sober and rather melancholy days, in the latter part of autumn, when the shadows of morning and evening almost mingle together, and throw a gloom over the decline of the year, I passed several hours in rambling about Westminster Abbey. There was something congenial to the season in the mournful magnificence of the old pile; and as I passed its threshold, it seemed like stepping back into the regions of antiquity, and losing myself among the shades of former ages.

I entered from the inner court of Westminster school, through a long, low, vaulted passage, that had an almost subterranean look, being dimly lighted in one part by circular perforations in the massive walls. Through this dark avenue I had a distant view of the cloisters, with the figure of an old verger, in his black gown, moving slowly along their shadowy vaults, and seeming like a specter from one of the neighboring tombs.

The approach to the abbey through these gloomy monastic remains prepares the mind for its solemn contemplation. The cloister still retains something of the quiet and seclusion of former days. The gray walls are discolored by damps, and crumbling with age; a coat of hoary moss has gathered over the inscriptions of the mural monuments, and obscured the death's heads, and other funeral emblems. The sharp touches of the chisel are gone from the rich tracery of the arches; the roses which adorn the key-stones have lost their leafy beauty; everything bears marks of the gradual dilapidations of time, which yet has something touching and pleasing in its very decay.

The sun was pouring down a yellow autumnal ray into the square of the cloisters;

beaming upon a scanty plot of grass in the center, and lighting up an angle of the vaulted passage with a kind of dusty splendor. From between the arcades, the eye glanced up to a bit of blue sky, or a passing cloud; and beheld the sun-gilt pinnacles of the abbey towering into the azure heaven.

As I paced the cloisters, sometimes contemplating this mingled picture of glory and decay, and sometimes endeavoring to decipher the inscriptions on the tombstones, which formed the pavement beneath my feet, my eyes were attracted to three figures, rudely carved in relief, but nearly worn away by the footsteps of many generations. They were the effigies of three of the early abbots; the epitaphs were entirely effaced; the names alone remained, having no doubt been renewed in later times; (Vitalis. Abbas. 1082, and Gislebertus Crispinus. Abbas. 1114, and Laurentius. Abbas. 1176.) I remained some little while, musing over these casual relics of antiquity, thus left like wrecks upon this distant shore of time, telling no tale but that such beings had been and had perished; teaching no moral but the futility of that pride which hopes still to exact homage in its ashes, and to live in an inscription. A little longer, and even these faint

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