Emerson, Romanticism, and Intuitive Reason: The Transatlantic "light of All Our Day"University of Missouri Press, 2005 - 555 էջ "Comparative study in transatlantic Romanticism that traces the links between German idealism, British Romanticism (Wordsworth, Coleridge, Carlyle), and American Transcendentalism. Focuses on Emerson's development and use of the concept of intuitive Reason, which became the intellectual and emotional foundation of American Transcendentalism"--Provided by publisher. |
From inside the book
Արդյունքներ 91–ի 1-ից 5-ը:
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... later summed up in brief comments made by Matthew Arnold shortly after Emerson's death.When Arnold described Emerson as “the friend and aider of those who would live in the spirit,” he was quietly but aptly reminding us of Coleridge and ...
... later summed up in brief comments made by Matthew Arnold shortly after Emerson's death.When Arnold described Emerson as “the friend and aider of those who would live in the spirit,” he was quietly but aptly reminding us of Coleridge and ...
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... later assumed by Nietzsche's Zarathustra. Cavell alludes to an Emersonian and contemporary “continuity”—as political as it is epistemological—with “the ancient wish of philosophy to lead the soul, imprisoned and distorted by darkness ...
... later assumed by Nietzsche's Zarathustra. Cavell alludes to an Emersonian and contemporary “continuity”—as political as it is epistemological—with “the ancient wish of philosophy to lead the soul, imprisoned and distorted by darkness ...
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... later incorporated into “Quotation and Originality,” “I value in Coleridge his excellent knowledge & quotations, perhaps as much, possibly more, than his original suggestions.” And in another journal entry not used in that essay, he ...
... later incorporated into “Quotation and Originality,” “I value in Coleridge his excellent knowledge & quotations, perhaps as much, possibly more, than his original suggestions.” And in another journal entry not used in that essay, he ...
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... later in “Quotation and Originality,” Emerson tells us—anticipating the negative aspect of Yeats's positive image of “Italy sucking at the dugs of Greece”— that those for whom this suction is the whole of their relationship to books and ...
... later in “Quotation and Originality,” Emerson tells us—anticipating the negative aspect of Yeats's positive image of “Italy sucking at the dugs of Greece”— that those for whom this suction is the whole of their relationship to books and ...
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... later in “Quotation and Originality,” in a passage that combines Coleridge (including his invaluable “distinctions”) with the seminal 1833 essay upon Coleridge by Emerson's friend Hedge—from whom Emerson borrowed the sentence, “Next to ...
... later in “Quotation and Originality,” in a passage that combines Coleridge (including his invaluable “distinctions”) with the seminal 1833 essay upon Coleridge by Emerson's friend Hedge—from whom Emerson borrowed the sentence, “Next to ...
Բովանդակություն
1 | |
23 | |
46 | |
80 | |
Chapter 4 Emersons Discipleship | 118 |
Chapter 5 Powers and Pulsations | 153 |
Chapter 6 Intuition and Tuition | 184 |
Chapter 7 Passivity and Activity | 223 |
Chapter 10 Emerson among the Orphic Poets | 355 |
Chapter 11 Emersonian Optimism and The Stream of Tendency | 397 |
Chapter 12 Wordsworthian Hope | 425 |
Chapter 13 Mourning Becomes Morning | 447 |
Chapter 14 Wordsworths OdeWaldo and Threnody | 472 |
Appendix LAODAMIA AND DION | 512 |
Bibliography | 521 |
Index | 543 |
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Common terms and phrases
active added American assertion beauty become called Carlyle chapter cited Coleridge Coleridge’s comes course creative criticism death described distinction divine earlier early earth echoing edition Emer Emerson Emersonian especially essay eternal Excursion experience fact feel final find first genius give heart heaven hope human ideas imagination immortality individual influence insists Intimations Ode intuitive italics journal knowledge language later least lecture less letter light lines live look lost matter means Milton mind moral nature never Nietzsche notes object once opening original passage past philosophy poem poet poetry polarity political present quoted readers Reason refers Reflection remarks response Romantic says Scholar seems Self-Reliance sense soul spirit stanza texts things thought tion true truth turn understanding universe vision whole Wordsworth Wordsworthian writing