Queer Bergman: Sexuality, Gender, and the European Art Cinema
University of Texas Press, 15 մրտ, 2013 թ. - 220 էջ
Foregrounding a fundamental aspect of the Swedish auteur's work that has been routinely ignored, as well as the vibrant connection between postwar American queer culture and European art cinema, this book offers a pioneering reading of Bergman's films as profoundly queer work
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American argue art cinema art ﬁlm Bergman ﬁlms Bertha Birger Malmsten bisexual Blackwell Caligula camera castration characters Cold War Cold War Auteur consider Construction ofa Cold Cries and Whispers critics Cultural Construction ofa deﬁned desire director’s erotic essay Ester Eva’s face fact Fanny and Alexander female feminine feminist ﬁgure Film ﬁlm’s ﬁlmgoers ﬁlmmaker ﬁnal ﬁnally ﬁnd ﬁrst Foreign and Refreshing Freud heteronormative heterosexual homoerotic homophobic homosexual Ian—Erik Ibid identiﬁcation Ingmar Bergman Iohannes lesbian look Madchen in Uniform Magician male male—identiﬁed man’s masculine Mattachine Monika narrative Notes to pages offers one’s Pauline Kael perhaps Persona perspective position psychic psychoanalytic Queer Bergman queer spectator reading reﬂection release repressed scene screen seems sense Seventh Seal sexual shame shot signiﬁcant Silence speciﬁcally spectator’s spectatorship Standard Edition Staring Down Gender subjectivity suggests Svensk Filmindustri Sweden Swedish theory tion Torment Uncanny Undeﬁned Valborg Vogler woman York young