Queer Bergman: Sexuality, Gender, and the European Art CinemaUniversity of Texas Press, 15 մրտ, 2013 թ. - 220 էջ Foregrounding a fundamental aspect of the Swedish auteur's work that has been routinely ignored, as well as the vibrant connection between postwar American queer culture and European art cinema, this book offers a pioneering reading of Bergman's films as profoundly queer work |
Բովանդակություն
Introduction Ingmar Bergman and the Foreign Self | 1 |
The Art Cinemas Queer Allure | 21 |
Discourse and Counterdiscourse | 59 |
3 The Uncanny Undefined | 105 |
Caught Between the Shame of Looking and the Shame of Being Ashamed to Do So | 133 |
Conclusion | 167 |
Notes | 177 |
Bibliography | 203 |
| 213 | |
Այլ խմբագրություններ - View all
Queer Bergman: Sexuality, Gender, and the European Art Cinema Daniel Humphrey Դիտել հնարավոր չէ - 2013 |
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American argue art cinema art film Bergman films Bertha Birger Malmsten bisexual Blackwell Caligula camera castration characters Cold War Cold War Auteur consider Construction ofa Cold Cries and Whispers critics Cultural Construction ofa defined desire director’s erotic essay Ester Eva’s face fact Fanny and Alexander female feminine feminist figure Film film’s filmgoers filmmaker final finally find first Foreign and Refreshing Freud heteronormative heterosexual homoerotic homophobic homosexual Ian—Erik Ibid identification Ingmar Bergman Iohannes lesbian look Madchen in Uniform Magician male male—identified man’s masculine Mattachine Monika narrative Notes to pages offers one’s Pauline Kael perhaps Persona perspective position psychic psychoanalytic Queer Bergman queer spectator reading reflection release repressed scene screen seems sense Seventh Seal sexual shame shot significant Silence specifically spectator’s spectatorship Standard Edition Staring Down Gender subjectivity suggests Svensk Filmindustri Sweden Swedish theory tion Torment Uncanny Undefined Valborg Vogler woman York young