CHAPTER II

Perdita Recalled

SAINT LOUIS, or that part of it which is called by dealers in real estate the choice residence section, grew westward. And Uncle Tom might be said to have been in the vanguard of the movement. In the days before Honora was born he had built his little house on what had been a farm on the Olive Street Road, at the crest of the second ridge from the river. Up this ridge, with clanking traces, toiled the horsecars that carried Uncle Tom downtown to the bank and Aunt Mary to market.

Fleeing westward, likewise, from the smoke, friends of Uncle Tom's and Aunt Mary's gradually surrounded them— building, as a rule, the high Victorian mansions in favour at that period, which were placed in the centre of commodious yards. For the friends of Uncle Tom and Aunt Mary were for the most part rich, and belonged, as did they, to the older families of the city. Mr. Dwyer's house, with its picture gallery, was across the street.

In the midst of such imposing company the little dwelling which became the home of our heroine sat well back in a plot that might almost be called a garden. In summer its white wooden front was nearly hidden by the quivering leaves of two tall pear trees. On the other side of the brick walk, and near the iron fence, was an elm and a flower bed that was Uncle Tom's pride and the admiration of the neighborhood. Honora has but to shut her eyes to see it aflame with tulips at Eastertide. The eastern wall of the house was a mass of Virginia creeper, and beneath that another flower bed, and still another in the back-yard behind the lattice fence covered with cucumber vine. There were, besides, two maples and two apricot trees, relics of the farm, and of blessed memory. Such apricots! Visions of hot summer evenings come back,

with Uncle Tom, in his seersucker coat, with his green watering-pot, bending over the beds, and Aunt Mary seated upright in her chair, looking up from her knitting with a loving eye.

Behind the lattice, on these summer evenings, stands the militant figure of that old retainer, Bridget the cook, her stout arms akimbo, ready to engage in vigorous banter should Honora deign to approach.

"Whisht, 'Nora darlint, it's a young lady ye'll be soon, and the beaux a-comin' 'round!" she would cry, and throw back her head and laugh until the tears were in her eyes.

And the princess, a slim figure in an immaculate linen frock with ribbons which Aunt Mary had copied from Longstreth's London catalogue, would reply with dignity:

"Bridget, I wish you would try to remember that my name is Honora."

Another spasm of laughter from Bridget.

"Listen to that now!" she would cry to another ancient retainer, Mary Ann, the housemaid, whose kitchen chair was tilted up against the side of the woodshed. "It'll be 'Miss Honora' next, and George Hanbury here to-day with his eye through a knothole in the fence, out of his head for a sight of ye."

George Hanbury was Honora's cousin, and she did not deem his admiration a subject fit for discussion with Bridget. "Sure," declared Mary Ann, "it's the air of a princess the child has."

That she should be thought a princess did not appear at all remarkable to Honora at twelve years of age. Perdita may have had such dreams. She had been born, she knew, in some wondrous land by the shores of the summer seas, not at all like St. Louis, and friends and relatives had not hesitated to remark in her hearing that she resembled her father, -that handsome father who surely must have been a prince, whose before-mentional photograph in the tortoise-shell frame was on the bureau in her little room. So far as Randolph Leffingwell was concerned, photography had not been invented for nothing. Other records of him remained which

Honora had likewise seen: one end of a rose-covered villa which Honora thought was a wing of his palace; a coach and four he was driving, and which had chanced to belong to an Englishman, although the photograph gave no evidence of this ownership. Neither Aunt Mary nor Uncle Tom had ever sought for reasons perhaps obvious to correct the child's impression of an extraordinary paternity.

Aunt Mary was a Puritan of Southern ancestry, and her father had been a Presbyterian minister. Uncle Tom was a member of the vestry of a church still under Puritan influences. As a consequence for Honora, there were Sunday afternoons-periods when the imaginative faculty, in which she was by no means lacking, was given full play. She would sit by the hour in the swing Uncle Tom had hung for her under the maple near the lattice, while castles rose on distant heights against blue skies. There was her real home, in a balconied chamber that overlooked mile upon mile of rustling forest in the valley; and when the wind blew, the sound of it was like the sea. Honora did not remember the sea, but its music was often in her ears.

She would be aroused from these dreams of greatness by the appearance of old Catherine, her nurse, on the side porch, reminding her that it was time to wash for supper. No princess could have had a more humble tiring-woman than Catherine.

Honora cannot be unduly blamed. When she reached the "little house under the hill" (as Catherine called the chamber beneath the eaves), she beheld reflected in the mirror an image like a tall, white flower that might indeed have belonged to a princess. Her hair, the colour of burnt sienna, fell evenly to her shoulders; her features even then had regularity and hauteur; her legs, in their black silk stockings, were straight; and the simple white lawn frock made the best of a slender figure. Those frocks of Honora's were a continual source of wonder-and sometimes of envyto Aunt Mary's friends; who returned from the seaside in the autumn, after a week among the fashions in Boston or New York, to find Honora in the latest models, and better

dressed than their own children. Aunt Mary made no secret of the methods by which these seeming miracles were performed, and showed Cousin Eleanor Hanbury the fashion plates in the English periodicals. Cousin Eleanor sighed.

"Mary, you are wonderful," she would say. "Honora's clothes are better-looking than those I buy in the East, at such fabulous prices, from Cavendish."

Indeed, no woman was ever farther removed from personal vanity than Aunt Mary. She looked like a little Quakeress. Her silvered hair was parted in the middle and had, in spite of palpable efforts towards tightness and repression, a perceptible ripple in it. Grey was her only concession to colour, and her gowns and bonnets were of a primness which belonged to the past. Repression, or perhaps compression, was her note, for the energy confined within her little body was a thing to have astounded scientists. And Honora grew to womanhood and reflection before she had guessed or considered that her aunt was possessed of intense emotions which had no outlet. Her features were regular, her shy eye had the clearness of a forest pool. She believed in predestination, which is to say that she was a fatalist; and while she steadfastly continued to regard this world as a place of sorrow and trials, she concerned herself very little about her participation in a future life. Old Dr. Ewing, the rector of St. Anne's, while conceding that no better or more charitable woman existed, found it so exceedingly difficult to talk to her on the subject of religion that he had never tried it but once.

Such was Aunt Mary. The true student of human nature should not find it surprising that she spoiled Honora and strove at what secret expense, care, and self denial to Uncle Tom and herself, none will ever know-to adorn the child that she might appear creditably among companions whose parents were more fortunate in this world's goods; that she denied herself to educate Honora as these other children were educated. Nor is it astonishing that she should not have understood the highly complex organism of the young lady we have chosen for our heroine, who was shaken, at the age of thirteen, by unfulfilled longings.

Very early in life Honora learned to dread the summer, when one by one the families of her friends departed until the city itself seemed a remote and distant place from what it had been in the spring and winter. The great houses were closed and blinded, and in the evening the servants who had been left behind chattered on the front steps. Honora could not bear the sound of the trains that drifted across the night, and the sight of the trunks piled in the Hanburys' hall, in Wayland Square, always filled her with a sickening longing. Would the day ever come when she, too, would depart for the bright places of the earth? Sometimes, when she looked in the mirror, she was filled with a fierce belief in a destiny to sit in the high seats, to receive homage and dispense bounties, to discourse with great intellects, to know London and Paris and the marts and centres of the world as her father had. To escape-only to escape from the prison walls of a humdrum existence, and to soar!

Let us, if we can, reconstruct an August day when all (or nearly all) of Honora's small friends were gone eastward to the mountains or the seaside. In "the little house under the hill," the surface of which was a hot slate roof, Honora would awake about seven o'clock to find old Catherine bending over her in a dun-coloured calico dress, with the light fiercely beating against the closed shutters that braved it so unflinchingly throughout the day.

"The birrds are before ye, Miss Honora, honey, and your uncle waterin' his roses this half-hour."

Uncle Tom was indeed an early riser. As Honora dressed (Catherine assisting as at a ceremony), she could see him, in his seersucker coat, bending tenderly over his beds; he lived enveloped in a peace which has since struck wonder to Honora's soul. She lingered in her dressing, even in those days, falling into reveries from which Catherine gently and deferentially aroused her; and Uncle Tom would be carving the beefsteak and Aunt Mary pouring the coffee when she finally arrived in the dining room to nibble at one of Bridget's unforgettable rolls or hot biscuits. Uncle Tom had his joke, and at quarter-past eight precisely he would kiss Aunt