Psychology Press, 2002 - 161 էջ
This book finds a way through often impenetrable recent theories, exploring key concepts of ideology, subjectivity and representation in the various forms put forward by different 'schools' of theorists.What is poststructuralist theory, and what difference does it make to literary criticism? Where do we find the meaning of the text: in the author's head? in the reader's? Or do we, instead, make meaning in the practice of reading itself? If so, what part do our own values play in the process of interpretation? And what is the role of the text? Catherine Belsey considers these and other questions concerning the relations between human beings and language, readers and texts, writing and cultural politics. Assuming no prior knowledge of poststructuralism, Critical Practice guides the reader confidently through the maze of contemporary theory. It simply and lucidly explains the views of key figures such as Louis Althusser, Roland Barthes, Jacques Lacan and Jacques Derrida, and shows their theories at work in readings of familiar literary texts.Critical Practice argues that theory matters, because it makes a difference to what we do when we read, opening up new possibilities for literary and cultural analysis. Poststructuralism, in conjunction with psychoanalysis and deconstruction, makes radical change to the way we read both a priority and a possibility.With a new chapter, updated guidance on further reading and revisions throughout, this second edition of Critical Practice is the ideal guide to the present and future of literary studies.
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Traditional Criticism and Common Sense
Challenges to Expressive Realism
Criticism and Meaning
Addressing the Subject
The Interrogative Text
The Work of Reading
Deconstruction and the Differance it Makes
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action Althusser analysis apparent argues assumptions Barthes becomes calls challenge Chapter character classic realism clear common sense concept concerned condition consciousness constitutes constructed contradiction course create critical critical practice cultural decision Derrida determined distinction effect elements existence experience expressive realism fact familiar fiction finally follows given hand Holmes human ideas identify ideology important individual instance intelligible interest interpretation knowledge Lacan language less letter linguistic literary literature Macherey Marxism meaning mind mode narrative nature novel object offers origin person play plurality poem political position possible practice precisely present problem production question radical reader reading refuses relation relationship represented responsibility seems seen signifying simply single society speak specific story structure symbolic theoretical theory things thought tion truth turn unconscious understanding University values voices writing