Gladiators and Caesars: The Power of Spectacle in Ancient RomeBritish Museum Press, 2000 - 153 էջ Desgined to accompany a major new international exhibition, this book tackles the politics behind the great if bloodthirsty spectacle of Games such as gladiatorial combats, athletics and chariot racing and the Theatre in Ancient Rome. The authors examine the social and political roles occupied by all types of performance as they became increasingly secularized; they also look at the buildings in which they took place, the equipment used and the prestige involved for participants and actors. With particular reference to the Roman festival calendar and the origins and development of the Games, Gladiators and Caesars is a welcome and thorough exploration of the relationship between politics and entertainment and the role of the audience. Concluding with a timely comparison of Games then and now, this book should appeal to experts, students and the interested public alike. |
From inside the book
Արդյունքներ 20–ի 1-ից 3-ը:
Էջ 23
... Greece , his principal aim being to take part in the great competitive events there . These were really held only every fourth year , but were staged at the emperor's insistence during his visit , with the result . that some of them had ...
... Greece , his principal aim being to take part in the great competitive events there . These were really held only every fourth year , but were staged at the emperor's insistence during his visit , with the result . that some of them had ...
Էջ 91
... Greece and Italy , and subsequently developed in very different ways . While the remains of over 250 original vehicles from the transitional phase between the war chariot and the impressive ceremonial chariot have been found in tombs of ...
... Greece and Italy , and subsequently developed in very different ways . While the remains of over 250 original vehicles from the transitional phase between the war chariot and the impressive ceremonial chariot have been found in tombs of ...
Էջ 107
... Greece , no women actors appeared in serious Roman drama ; the female parts were taken by men . None the less , in the early period of the Roman theatre actors do not seem to have worn the masks usual in Greece . According to an account ...
... Greece , no women actors appeared in serious Roman drama ; the female parts were taken by men . None the less , in the early period of the Roman theatre actors do not seem to have worn the masks usual in Greece . According to an account ...
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actors amphitheatre animal Antikensammlung arena armour athletic audience Augustus Ben Hur boxer boxing brim British Museum Caesar caestus Caligula century AD Bronze century AD Marble century AD Pottery chariot chariot-racing Circus Maximus classical antiquity Colosseum combat comedy Commodus crest death Domitian drama emperor empire Etruscan factions famous fight fighters fought gladiatorial category gladiatorial contests gladiators glove greaves Greece Greek ground held helmet honour hoplomachus horses imperial period kind Kunst und Gewerbe leather London ludi manica Marcus masks Menander metres modern munera murmillo Museo Archeologico Nazionale Museum für Kunst naumachiae Nazionale di Napoli Nero opponent pairs pantomime performances pictorial depictions Plautus plays Pompeii popular probably racing chariot relief retiarius Roman Rome Römisch-Germanisches Museum scene second century secutor senate Seneca sestertii shield shows slaves spectators spina sport stage Suetonius sword teams Terence Terracotta theatre thraex tion tragedies trident usually victory visor weapons worn