Gladiators and Caesars: The Power of Spectacle in Ancient RomeBritish Museum Press, 2000 - 153 էջ Desgined to accompany a major new international exhibition, this book tackles the politics behind the great if bloodthirsty spectacle of Games such as gladiatorial combats, athletics and chariot racing and the Theatre in Ancient Rome. The authors examine the social and political roles occupied by all types of performance as they became increasingly secularized; they also look at the buildings in which they took place, the equipment used and the prestige involved for participants and actors. With particular reference to the Roman festival calendar and the origins and development of the Games, Gladiators and Caesars is a welcome and thorough exploration of the relationship between politics and entertainment and the role of the audience. Concluding with a timely comparison of Games then and now, this book should appeal to experts, students and the interested public alike. |
From inside the book
Արդյունքներ 27–ի 1-ից 3-ը:
Էջ 107
... actors appeared in serious Roman drama ; the female parts were taken by men . None the less , in the early period of the Roman theatre actors do not seem to have worn the masks usual in Greece . According to an account by Cicero , the ...
... actors appeared in serious Roman drama ; the female parts were taken by men . None the less , in the early period of the Roman theatre actors do not seem to have worn the masks usual in Greece . According to an account by Cicero , the ...
Էջ 117
... actors never wore masks , and female roles were taken by attractive women - an unusual development on the stage of ... actors Pylades and Bathyllus . Apart . from the fact that performance was in dumb show , the pantomime actor had ...
... actors never wore masks , and female roles were taken by attractive women - an unusual development on the stage of ... actors Pylades and Bathyllus . Apart . from the fact that performance was in dumb show , the pantomime actor had ...
Էջ 138
... actors would meet with biting mockery . Actresses were particularly harshly criticized . They were regarded as prostitutes who ' expose themselves to the gaze of the public with their shameless move- ments until lustful eyes have seen ...
... actors would meet with biting mockery . Actresses were particularly harshly criticized . They were regarded as prostitutes who ' expose themselves to the gaze of the public with their shameless move- ments until lustful eyes have seen ...
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actors amphitheatre animal Antikensammlung arena armour athletic audience Augustus Ben Hur boxer boxing brim British Museum Caesar caestus Caligula century AD Bronze century AD Marble century AD Pottery chariot chariot-racing Circus Maximus classical antiquity Colosseum combat comedy Commodus crest death Domitian drama emperor empire Etruscan factions famous fight fighters fought gladiatorial category gladiatorial contests gladiators glove greaves Greece Greek ground held helmet honour hoplomachus horses imperial period kind Kunst und Gewerbe leather London ludi manica Marcus masks Menander metres modern munera murmillo Museo Archeologico Nazionale Museum für Kunst naumachiae Nazionale di Napoli Nero opponent pairs pantomime performances pictorial depictions Plautus plays Pompeii popular probably racing chariot relief retiarius Roman Rome Römisch-Germanisches Museum scene second century secutor senate Seneca sestertii shield shows slaves spectators spina sport stage Suetonius sword teams Terence Terracotta theatre thraex tion tragedies trident usually victory visor weapons worn