Gladiators and Caesars: The Power of Spectacle in Ancient RomeBritish Museum Press, 2000 - 153 էջ Desgined to accompany a major new international exhibition, this book tackles the politics behind the great if bloodthirsty spectacle of Games such as gladiatorial combats, athletics and chariot racing and the Theatre in Ancient Rome. The authors examine the social and political roles occupied by all types of performance as they became increasingly secularized; they also look at the buildings in which they took place, the equipment used and the prestige involved for participants and actors. With particular reference to the Roman festival calendar and the origins and development of the Games, Gladiators and Caesars is a welcome and thorough exploration of the relationship between politics and entertainment and the role of the audience. Concluding with a timely comparison of Games then and now, this book should appeal to experts, students and the interested public alike. |
From inside the book
Արդյունքներ 39–ի 1-ից 3-ը:
Էջ 86
... Circus Maximus 95 Lamp with chariot - racing in the Circus Maximus Second to early third century AD Pottery British Museum , London , GR 1814 7-4 106 The lamp - maker has skilfully condensed the whole event into a small space . Around ...
... Circus Maximus 95 Lamp with chariot - racing in the Circus Maximus Second to early third century AD Pottery British Museum , London , GR 1814 7-4 106 The lamp - maker has skilfully condensed the whole event into a small space . Around ...
Էջ 94
... Circus Maximus had an area of about 45,000 square metres , making it twelve times larger than the arena of the Colosseum , the biggest Roman amphitheatre , while the tiers of the cavea would accommodate at least 150,000 spectators , as ...
... Circus Maximus had an area of about 45,000 square metres , making it twelve times larger than the arena of the Colosseum , the biggest Roman amphitheatre , while the tiers of the cavea would accommodate at least 150,000 spectators , as ...
Էջ 100
... circus victory procession First century AD Pottery British. NG89 for the men working the unbolting mechanism and above all for the public , but not for the charioteers , who could not see it in their ' prisons ' , although they were able ...
... circus victory procession First century AD Pottery British. NG89 for the men working the unbolting mechanism and above all for the public , but not for the charioteers , who could not see it in their ' prisons ' , although they were able ...
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actors amphitheatre animal Antikensammlung arena armour athletic audience Augustus Ben Hur boxer boxing brim British Museum Caesar caestus Caligula century AD Bronze century AD Marble century AD Pottery chariot chariot-racing Circus Maximus classical antiquity Colosseum combat comedy Commodus crest death Domitian drama emperor empire Etruscan factions famous fight fighters fought gladiatorial category gladiatorial contests gladiators glove greaves Greece Greek ground held helmet honour hoplomachus horses imperial period kind Kunst und Gewerbe leather London ludi manica Marcus masks Menander metres modern munera murmillo Museo Archeologico Nazionale Museum für Kunst naumachiae Nazionale di Napoli Nero opponent pairs pantomime performances pictorial depictions Plautus plays Pompeii popular probably racing chariot relief retiarius Roman Rome Römisch-Germanisches Museum scene second century secutor senate Seneca sestertii shield shows slaves spectators spina sport stage Suetonius sword teams Terence Terracotta theatre thraex tion tragedies trident usually victory visor weapons worn