Gladiators and Caesars: The Power of Spectacle in Ancient RomeBritish Museum Press, 2000 - 153 էջ Desgined to accompany a major new international exhibition, this book tackles the politics behind the great if bloodthirsty spectacle of Games such as gladiatorial combats, athletics and chariot racing and the Theatre in Ancient Rome. The authors examine the social and political roles occupied by all types of performance as they became increasingly secularized; they also look at the buildings in which they took place, the equipment used and the prestige involved for participants and actors. With particular reference to the Roman festival calendar and the origins and development of the Games, Gladiators and Caesars is a welcome and thorough exploration of the relationship between politics and entertainment and the role of the audience. Concluding with a timely comparison of Games then and now, this book should appeal to experts, students and the interested public alike. |
From inside the book
Արդյունքներ 15–ի 1-ից 3-ը:
Էջ 44
... crests with an angular outline , rising vertically in a straight line from the back of the neck , and bending forward at an angle of 90 degrees at their highest point . From here the crest runs on in a straight horizontal line to the ...
... crests with an angular outline , rising vertically in a straight line from the back of the neck , and bending forward at an angle of 90 degrees at their highest point . From here the crest runs on in a straight horizontal line to the ...
Էջ 45
... crest like a crescent directly placed over it . The bowl ends in a narrow downward- sloping guard at the back of the neck . To conclude this section , let us look at the helmet from the National Museum in Naples , on display in the ...
... crest like a crescent directly placed over it . The bowl ends in a narrow downward- sloping guard at the back of the neck . To conclude this section , let us look at the helmet from the National Museum in Naples , on display in the ...
Էջ 52
... crest and the famous griffin's head ( fig . 47 ) . The griffin was the companion of Nemesis , goddess of fate , an avenging figure of judgement . Many amphitheatres had small shrines dedicated to Nemesis . The crest could be adorned ...
... crest and the famous griffin's head ( fig . 47 ) . The griffin was the companion of Nemesis , goddess of fate , an avenging figure of judgement . Many amphitheatres had small shrines dedicated to Nemesis . The crest could be adorned ...
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actors amphitheatre animal Antikensammlung arena armour athletic audience Augustus Ben Hur boxer boxing brim British Museum Caesar caestus Caligula century AD Bronze century AD Marble century AD Pottery chariot chariot-racing Circus Maximus classical antiquity Colosseum combat comedy Commodus crest death Domitian drama emperor empire Etruscan factions famous fight fighters fought gladiatorial category gladiatorial contests gladiators glove greaves Greece Greek ground held helmet honour hoplomachus horses imperial period kind Kunst und Gewerbe leather London ludi manica Marcus masks Menander metres modern munera murmillo Museo Archeologico Nazionale Museum für Kunst naumachiae Nazionale di Napoli Nero opponent pairs pantomime performances pictorial depictions Plautus plays Pompeii popular probably racing chariot relief retiarius Roman Rome Römisch-Germanisches Museum scene second century secutor senate Seneca sestertii shield shows slaves spectators spina sport stage Suetonius sword teams Terence Terracotta theatre thraex tion tragedies trident usually victory visor weapons worn