Gladiators and Caesars: The Power of Spectacle in Ancient RomeBritish Museum Press, 2000 - 153 էջ Desgined to accompany a major new international exhibition, this book tackles the politics behind the great if bloodthirsty spectacle of Games such as gladiatorial combats, athletics and chariot racing and the Theatre in Ancient Rome. The authors examine the social and political roles occupied by all types of performance as they became increasingly secularized; they also look at the buildings in which they took place, the equipment used and the prestige involved for participants and actors. With particular reference to the Roman festival calendar and the origins and development of the Games, Gladiators and Caesars is a welcome and thorough exploration of the relationship between politics and entertainment and the role of the audience. Concluding with a timely comparison of Games then and now, this book should appeal to experts, students and the interested public alike. |
From inside the book
Արդյունքներ 17–ի 1-ից 3-ը:
Էջ 107
... masks usual in Greece . According to an account by Cicero , the intro- duction of masks was contemporaneous with the stage career of his friend Roscius , mentioned above , at the end of the second and the beginning of the first cen ...
... masks usual in Greece . According to an account by Cicero , the intro- duction of masks was contemporaneous with the stage career of his friend Roscius , mentioned above , at the end of the second and the beginning of the first cen ...
Էջ 117
... mask Second century AD Marble Museum für Kunst und Gewerbe Hamburg , 1999.106 This mask , from Campania or possibly ... masks , and female roles were taken by attractive women - an unusual development on the stage of classical antiquity ...
... mask Second century AD Marble Museum für Kunst und Gewerbe Hamburg , 1999.106 This mask , from Campania or possibly ... masks , and female roles were taken by attractive women - an unusual development on the stage of classical antiquity ...
Էջ 137
... masks , while the characters in the equally coarse Atellan farces were four stock characters identified by their bizarre masks . Hardly any tragedies were still performed after the first century AD ; they had been superseded by ...
... masks , while the characters in the equally coarse Atellan farces were four stock characters identified by their bizarre masks . Hardly any tragedies were still performed after the first century AD ; they had been superseded by ...
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actors amphitheatre animal Antikensammlung arena armour athletic audience Augustus Ben Hur boxer boxing brim British Museum Caesar caestus Caligula century AD Bronze century AD Marble century AD Pottery chariot chariot-racing Circus Maximus classical antiquity Colosseum combat comedy Commodus crest death Domitian drama emperor empire Etruscan factions famous fight fighters fought gladiatorial category gladiatorial contests gladiators glove greaves Greece Greek ground held helmet honour hoplomachus horses imperial period kind Kunst und Gewerbe leather London ludi manica Marcus masks Menander metres modern munera murmillo Museo Archeologico Nazionale Museum für Kunst naumachiae Nazionale di Napoli Nero opponent pairs pantomime performances pictorial depictions Plautus plays Pompeii popular probably racing chariot relief retiarius Roman Rome Römisch-Germanisches Museum scene second century secutor senate Seneca sestertii shield shows slaves spectators spina sport stage Suetonius sword teams Terence Terracotta theatre thraex tion tragedies trident usually victory visor weapons worn