Gladiators and Caesars: The Power of Spectacle in Ancient RomeBritish Museum Press, 2000 - 153 էջ Desgined to accompany a major new international exhibition, this book tackles the politics behind the great if bloodthirsty spectacle of Games such as gladiatorial combats, athletics and chariot racing and the Theatre in Ancient Rome. The authors examine the social and political roles occupied by all types of performance as they became increasingly secularized; they also look at the buildings in which they took place, the equipment used and the prestige involved for participants and actors. With particular reference to the Roman festival calendar and the origins and development of the Games, Gladiators and Caesars is a welcome and thorough exploration of the relationship between politics and entertainment and the role of the audience. Concluding with a timely comparison of Games then and now, this book should appeal to experts, students and the interested public alike. |
From inside the book
Արդյունքներ 9–ի 1-ից 3-ը:
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... STAGE. NOMENCLATURE. Figure 1.2A also shows the area between the plaster line and the edge of the stage, often referred to as the apron. In some theatres, a gap exists between the edge of the stage and the audience. This architectural ...
... STAGE. NOMENCLATURE. Figure 1.2A also shows the area between the plaster line and the edge of the stage, often referred to as the apron. In some theatres, a gap exists between the edge of the stage and the audience. This architectural ...
Էջ 72
... stage or secondary rise -- Sampling is usually more critical on the rising than on the falling stage of a flood event . However , single - stage samplers can be adapted to sample on falling stages . One type of adaptation is shown in ...
... stage or secondary rise -- Sampling is usually more critical on the rising than on the falling stage of a flood event . However , single - stage samplers can be adapted to sample on falling stages . One type of adaptation is shown in ...
Էջ 72
... stage was fixed, seldom was it raised; a simple red carpet still designated the stage, and a portable screen might serve as a divide between the stage and the greenroom, if a greenroom were necessary. The space occupied by the stage was ...
... stage was fixed, seldom was it raised; a simple red carpet still designated the stage, and a portable screen might serve as a divide between the stage and the greenroom, if a greenroom were necessary. The space occupied by the stage was ...
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actors amphitheatre animal Antikensammlung arena armour athletic audience Augustus Ben Hur boxer boxing brim British Museum Caesar caestus Caligula century AD Bronze century AD Marble century AD Pottery chariot chariot-racing Circus Maximus classical antiquity Colosseum combat comedy Commodus crest death Domitian drama emperor empire Etruscan factions famous fight fighters fought gladiatorial category gladiatorial contests gladiators glove greaves Greece Greek ground held helmet honour hoplomachus horses imperial period kind Kunst und Gewerbe leather London ludi manica Marcus masks Menander metres modern munera murmillo Museo Archeologico Nazionale Museum für Kunst naumachiae Nazionale di Napoli Nero opponent pairs pantomime performances pictorial depictions Plautus plays Pompeii popular probably racing chariot relief retiarius Roman Rome Römisch-Germanisches Museum scene second century secutor senate Seneca sestertii shield shows slaves spectators spina sport stage Suetonius sword teams Terence Terracotta theatre thraex tion tragedies trident usually victory visor weapons worn