THE LAD THAT'S FAR AWA'. O how can I be blithe and glad, Or how can I gang brisk and braw, When the bonnie lad that I lo'e best Is o'er the hills and far awa’? It's no the frosty winter wind, But ay My father pat me frae his door, My friends they hae disown'd me a’, But I hae ane will take my part, The bonnie lad that's far awa'. A pair o' gloves he gae to me, And silken snoods he gae me twa ; And I will wear them for his sake, The bonnie lad that's far awa'. The weary winter soon will pass, And spring will cleed the birken-shaw; my sweet babie will be born, And And he'll come hame that's far awa'. Nothing can well surpass the artless, the simple, and pathetic complaint of this deserted lady. The starting verse alone is old: all the rest came fresh from Burns's heart and imagination; and it must sink into every heart that sings or reads it. GOOD NIGHT, AND JOY BE WI' YOU A'. Good night, and joy be wi' ye a'; Your harmless mirth has cheer'd my heart: The mountain-fires now blaze in vain : When on yon muir our gallant clan Or fiercer wav'd the red claymore? I gave him of our lordly fare, I gave him here a welcome hame. The auld will speak, the young maun hear; I'll see you triumph ere I fa'; This "Good night" was written by Sir Alexander Boswell, and it catches the spirit and seizes a stray line from an old song which began and ended with the same words. Burns wrote masonic verses to the air; but masonic songs are of too dark and mystic a nature to be felt by an unenlightened multitude; and I must consign all such compositions to the exclusive use of the "Children of light," the " Brethren of the mystic level." SHE'S FAIR AND FAUSE. She's fair and fause that causes my smart, I lo'ed her meikle and lang: She's broken her vow, she's broken my heart, And I may e'en gae hang. A coof cam' in wi' rowth o' gear, Whae'er ye be that woman love, Nae ferlie 'tis though fickle she A woman has❜t by kind: O woman lovely, woman fair! prove, An angel form's faun to thy share, "Twad been o'er meikle to've gien thee mair, The natural mixture of sorrow and satire in this little song makes it one of the happiest of the many lyric compositions of Burns. His studied and elaborate efforts were directed to the embellishment of the truly splendid work of George Thomson, while his more hasty, and, it must not be disguised, less discreet sallies were dedicated to the service of an humbler production-the Mu seum. But some of those hasty things are conceived in the poet's happiest manner; and they who look into Johnson will see many gems of antique verse, many native pearls of price, and many pieces of virgin gold glittering before them. The fickleness of a lady of the name of Stuart occasioned this song. She had deserted the poet's friend. Saw MARY OF CASTLE-CARY. ye my wee thing, saw ye my ain thing, Saw ye my true love down on yon lea— Crossed she the meadow yestreen at the gloaming, Sought she the burnie where flowers the hawtree? Her hair it is lint-white, her skin it is milk-white, Dark is the blue of her soft rolling e'e: Red, red her ripe lips, and sweeter than roses, I saw nae your wee thing, I saw nae your ain thing, Red were her ripe lips and sweeter than roses— It was nae my wee thing, it was nae my ain thing, She never loved ony till ance she lo'ed me. |