The Portable Walt WhitmanPenguin, 30 դեկ, 2003 թ. - 608 էջ A comprehensive collection of Whitman's most beloved works of poetry, prose, and short stories |
From inside the book
Արդյունքներ 62–ի 1-ից 5-ը:
... sound. Despite its reliance on print, this effect helps to create on the page the sense of a vital vocal exposure or challenge—like opera or oratory, the arts he most admired. But another effect of the long line— with its ad hoc sonic ...
... sound stiff, painfully formal; those to soldiers, or horse-cart drivers, or his own mother, speak with a sweet and simple eloquence. Friends offered him comfortable homes on Fifth Avenue, on the Hudson, and elsewhere; but from the early ...
... sounds like his own version of the Sermon on the Mount: This is what you shall do: Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor ...
... sound “too pretty.” It is characteristic of the Anglo-American religious scene that Helen Price describes as “religious sentiment” something that has no place for “dogmas, churches, creeds, etc.” Religion reduced to sentiment will seem ...
... sounds his “barbaric yawp” over the roofs of the world), and sometimes faced flatly (as in the quasi-confessional section 6 of “Crossing Brooklyn Ferry”). It is the implicit backdrop of everything Whitman wrote. Certainly not least of ...
Բովանդակություն
1856 | |
1860 | |
1867 | |
1872 | |
1891 | |
PREFACES AND AFTERWORDS FROM LEAVES OF GRASS | |
DEMOCRATIC VISTAS | |
FROM SPECIMEN DAYS | |
SLANG IN AMERICA | |