A Reply to an "Unsentimental Sort of Critic,": The Reviewer of "Spence's Anecdotes" in the Quarterly Review for October [i.e. July] 1820; Otherwise to a Certain Critic and Grocer, the Family of the Bowleses!!R. Cruttwell and sold by Longman, Hurst, Rees, Orme and Brown, 1820 - 43 էջ |
From inside the book
Արդյունքներ 5–ի 1-ից 5-ը:
Էջ 14
... mystic Muggleto- " nian , " Mr. B. or himself . He thus begins . 1 " Listen to Mr. BowLES , a " sort of sentimental critic !! " " " · • I tremble for every character , when I hear any thing of SPENCE's Anecdotes ; neither friend nor foe ...
... mystic Muggleto- " nian , " Mr. B. or himself . He thus begins . 1 " Listen to Mr. BowLES , a " sort of sentimental critic !! " " " · • I tremble for every character , when I hear any thing of SPENCE's Anecdotes ; neither friend nor foe ...
Էջ 21
... mystic " nebulosity . " Here is one . " It is remarked , by CAMPBELL , as if the argument " was at once decisive , that MILTON is full of imagery " derived ' FROM ART ; ' Satan's spear , ' for example , " is compared to the MAST OF SOME ...
... mystic " nebulosity . " Here is one . " It is remarked , by CAMPBELL , as if the argument " was at once decisive , that MILTON is full of imagery " derived ' FROM ART ; ' Satan's spear , ' for example , " is compared to the MAST OF SOME ...
Էջ 26
... mystic Muggletonianism " of words , which you bring against Mr. BowLES , being just , you have not brought , and you are not able to bring , one passage , the meaning of which every man of common understanding will not readily perceive ...
... mystic Muggletonianism " of words , which you bring against Mr. BowLES , being just , you have not brought , and you are not able to bring , one passage , the meaning of which every man of common understanding will not readily perceive ...
Էջ 27
... mystic , too hazy for Mr. GIL- CHRIST'S optics . But , seriously Sir , do you not not understand what is meant by the subject of a poem , and its execution , & c . ? Then , I will ven- ture to say , there is not a man in his Majesty's ...
... mystic , too hazy for Mr. GIL- CHRIST'S optics . But , seriously Sir , do you not not understand what is meant by the subject of a poem , and its execution , & c . ? Then , I will ven- ture to say , there is not a man in his Majesty's ...
Էջ 28
... mystic " to the critic in the Quarterly as " subject " and " execution . " But neither " general nature , general nature , " nor " external " nature , " nor " moral nature , " are Mr. BowLES's " changes and chimes " exclusively : they ...
... mystic " to the critic in the Quarterly as " subject " and " execution . " But neither " general nature , general nature , " nor " external " nature , " nor " moral nature , " are Mr. BowLES's " changes and chimes " exclusively : they ...
Այլ խմբագրություններ - View all
A Reply to an Unsentimental Sort of Critic: The Reviewer of Spence's ... William Lisle Bowles Ամբողջությամբ դիտվող - 1820 |
A Reply to an "Unsentimental Sort of Critic,": The Reviewer of "Spence's ... William Lisle Bowles Ամբողջությամբ դիտվող - 1820 |
A Reply to an Unsentimental Sort of Critic: The Reviewer of Spence's ... William Lisle Bowles Դիտել հնարավոր չէ - 2019 |
Common terms and phrases
ADDISON admiral admiral's mast answer appears argument assert baize BOWLESES CAMPBELL's character of Atossa character of POPE charges cism Cockney common understanding disingenuous displays a LOFTY distinguish the SATIRIST Editor of POPE Eloisa execution expression external nature Family flippancy GIFFARD HIGHEST ORDER hypochondriacal in-door nature Invariable Principles JECT JOHNSON language Letter to CAMPBELL lofty feelings London Magazine LONGINUS Lord BYRON MARY WORTLEY MONTAGUE MILTON moral nature mountain Muggletonian nebulous necessary in self-defence OCTAVIUS GILCHRIST opinion pardon passage passions and lofty poem POPE preferred IN-DOOR POPE's character POPE's moral character Principles of Poetry printed by CURLL professed Prologue to Cato prove Quarterly Review reader regret reply Review for October Reviewer of SPENCE'S RICHARD CRUTTWELL rural Satan's spear saucy Londoner shew the narrowness sort of critic SPENCE SPENCE'S Anecdotes spleen telescope THOUSAND YEARS EXPLAINING tion UNIVERSITY OF MICHIGAN vapouring Vesuvius WALPOLE whilst writer
Սիրված հատվածներ
Էջ 22 - He scarce had ceased, when the superior fiend Was moving toward the shore ; his ponderous shield, Ethereal temper, massy, large, and round, Behind him cast ; the broad circumference Hung on his shoulders like the moon, whose orb Through optic glass the Tuscan artist views At evening from the top of Fesole Or in Valdarno, to descry new lands, Rivers, or mountains, in her spotty globe.
Էջ 22 - His spear, — to equal which, the tallest pine Hewn on Norwegian hills, to be the mast Of some great ammiral, were but a wand...
Էջ 25 - But his wit is not all his charm. He glows with passion in the Epistle of Eloisa, and displays a lofty feeling much above that of the satirist and the man of the world in his Prologue to Cato and his Epistle to Lord Oxford.
Էջ 24 - Eloisa, and displays a LOFTY feeling, much ABOVE that of the SATIRIST and man of the world, in his Prologue to Cato, and his Epistle to Lord OXFORD...
Էջ 22 - dextraque sinistrdque," and say, not only Satan's spear is compared to an "admiral's mast," but " his shield to the moon seen through a telescope !" My dear Sir, consider a little. You forget the passage; or have purposely left out more than half of its essential poetical beauty. What reason have I to complain, when you use MILTON thus ? I beseech you recollect MILTON'S image.
Էջ 20 - The " exquisite description of artificial manners and " habits is NOT LESS characteristic of genius than " the description of simple physical appearances.
Էջ 22 - ... might have been left out; but remark, in this image MILTON DOES NOT compare Satan's spear "with the mast of some great admiral," as you assert. The passage is, "His spear, to equal which the TALLEST PINE HEWN ON NORWEGIAN HILLS TO BE the mast Of some great ammiral, were but a wand!!" You leave out the chief, I might say the only, circumstance which reconciles the "mast" to us; and having detruncated MILTON'S image, triumphantly say, "MILTON is full of imagery derived from art!!
Էջ 22 - dextraque sinistraqite," and say, not only Satan's spear is compared to an "admiral's mast," but "his shield to the moon seen through a telescope]" My dear Sir, consider a little. You forget the passage; or have purposely left out more than half of its essential poetical beauty. What reason have I to complain, when you use MILTON thus? I beseech you recollect MILTON'S image. "His pond'rous shield Hung on his shoulders like the moon, whose orb Through optic glass the Tuscan artist views AT EVENING,...
Էջ 21 - Supposing it is, do you really think that such a comparison makes the description' of Satan's spear a whit more poetical ? I think much less so. But MILTON was not so unpoetical as you imagine, though I think his simile does not greatly add to our poetical ideas of Satan's spear ! The
Էջ 22 - NEW LANDS, RIVERS, or MOUNTAINS, IN HER SPOTTY GLOBE.' " Who does not perceive the art of the poet in introducing, besides the telescope, as if conscious how unpoetical it was in itself, all the circumstances from NATURE, external nature, — the evening — the top of Fesole — the scenes of Valdarno — and the LANDS, MOUNTAINS, and RIVERS, in the moon's orb? It is these which make the passage poetical, and not the telescope!