Notes from Underground: Rock Music Counterculture in Russia

Գրքի շապիկի երեսը
SUNY Press, 01 հնվ, 1995 թ. - 403 էջ
Notes From Underground offers the first Western sociological study of rock music and counterculture in Russian society. Based on participant observation, in-depth interviews, and life-history analysis, the author provides a detailed ethnographic examination of the origins and local meanings of rock music and the countercultural way of life of rock musicians in St. Petersburg during the socialist period of Russian history.

From inside the book

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A Recovery of the Senses Toward a CriticalInterpretive Sociology of Russian Culture
1
Stories from Underground The Origins of St Petersburg Rock Music Counterculture
17
Musical Identity and Authenticity The Local Meanings of Rock Music in St Petersburg
89
At Play in the Fields of the Soviets Individual and Collective Identity in the St Petersburg Rock Music Community
135
Notes from Underground Glasnost Perestroika and the St Petersburg Rock Music Community
195
The Tusovka Is Over The Acceleration of Capitalism and the St Petersburg Rock Music Counterculture
263
Conclusion Capitalism Cultural Freedom and Democracy in PostSoviet Russia
309
Researching Russian Counterculture Some Reflections on Method
329
The Structure and the Intonation of Rock Songs and Songs by VIAs
347
Glossary
351
Notes
355
Bibliography
373
Index
391
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Հեղինակի մասին (1995)

Thomas Cushman is Associate Professor of Sociology at Wellesley College and a Fellow at the Harvard Russian Research Center.

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