He goes his way; the day once past
Gernutus doth not slacke
To get a sergiant presently;
And clapt him on the backe:

And layd him into prison strong,
And sued his bond withall;

And when the judgement day was come,
For judgement he did call.

The marchants friends came thither fast,
With many a weeping eye,

For other means they could not find,

But he that day must dye.

80

85

THE SECOND PART.

"Or the Jews crueltie; setting foorth the mercifulnesse of the Judge towards the Marchant. To the tune of Blacke and Yellow."

SOME offered for his hundred crownes

Five hundred for to pay;

And some a thousand, two or three,
Yet still he did denay.

And, at the last, ten thousand crownes

They offered, him to save.

Gernutus sayd, "I will no gold:

My forfeite I will have.

A pound of fleshe is my demand,

And that shall be my hire."

Then sayd the judge, "Yet, good my friend,
Let me of you desire

To take the flesh from such a place,

As yet you let him live:

Do so, and lo! an hundred crownes

To thee here will I give."

5

10

15

"No: no:" quoth he; "no: judgment here:

For this it shall be tride,

For I will have my pound of fleshe

From under his right side."

It grieved all the companie

His crueltie to see,

For neither friend nor foe could helpe
But he must spoyled bee.

The bloudie Jew now ready is
With whetted blade in hand,*
To spoyle the bloud of innocent,
By forfeit of his bond.

And, as he was about to strike

In him the deadly blow:

"Stay" (quoth the judge) "thy crueltie ;
I charge thee to do so.

Sith needs thou wilt thy forfeit have;
Which is of flesh a pound:

20

25

30

See that thou shed no drop of bloud,
Nor yet the man confound.

35

For if thou doe, like murderer,

Thou here shalt hanged be:

Likewise of flesh see that thou cut
No more than longes to thee:

For if thou take either more or lesse
To the value of a mite,

Thou shalt be hanged presently,
As is both law and right."

Gernutus now waxt franticke mad,

And wotes not what to say;

Quoth he, at last, "Ten thousand crownes,
I will that he shall pay ;

40

45

The passage in Shakespeare bears so strong a resemblance to this, as to render it probable that the one suggested the other. See Act iv. sc. ii.

"Bass. Why doest thou whet thy knife so earnestly?" &c.

And so I graunt to set him free."
The judge doth answere make;
"You shall not have a penny given;
Your forfeyture now take."

At the last he doth demaund
But for to have his owne.

"No," quoth the judge, "doe as you list,
Thy judgement shall be showne.

Either take your pound of flesh," quoth he,
"Or cancell me your bond."

“O, cruell judge," then quoth the Jew,
"That doth against me stand!"

60

And so, with griping grieved mind
He biddeth them fare-well.

'Then' all the people prays'd the Lord,
That ever this heard tell.

Good people, that doe heare this song,
For trueth I dare well say,

65

That many a wretch as ill as hee
Doth live now at this day;

That seeketh nothing but the spoyle
Of many a wealthey man,

70

And for to trap the innocent

Since the first edition of this book was printed, the editor hath had reason to believe that both Shakespeare and the author of this Ballad are indebted for their story of the Jew (however they came by it) to an Italian novel, which was first printed at Milan in the year 1554, in a book intitled "Il Pecorone, nel quale si contengono Cinquanta Novelle antiche," &c. republished at Florence about the year 1748 or 9.-The author was Ser. Giovanni

Ver. 61. griped. Ashmol. copy.

55

50

Fiorentino, who wrote in 1378; thirty years after the time in which the scene of Boccace's Decameron is laid. (Vid. " Manni Istoria del Decamerone di Giov. Boccac." 4to Fior. 1744.)

That Shakespeare had his plot from the novel itself, is evident from his having some incidents from it, which are not found in the ballad: and I think it will also be found that he borrowed from the ballad some hints that were not suggested by the novel. (See above, Pt. 2, ver. 25, &c. where, instead of that spirited description of the whetted blade," &c. the prose narrative coldly says, "The Jew had prepared a razor," &c. See also some other passages in the same piece.) This however is spoken with diffidence, as I have at present before me only the abridgement of the novel which Mr. Johnson has given us at the end of his commentary on Shakespeare's play. The translation of the Italian story at large is not easy to be met with, having I believe never been published, though it was printed some years ago with this title,-"The Novel, from which the Merchant of Venice written by Shakespeare is taken, translated from the Italian. To which is added a translation of a novel from the Decamerone of Boccaccio. London, printed for M. Cooper, 1755," 8vo.

XII.

THE PASSIONATE SHEPHERD TO HIS LOVE.

THIS beautiful sonnet is quoted in the "Merry Wives of Windsor," A. iii. sc. i. and hath been usually ascribed (together with the "Reply") to Shakespeare himself by the modern editors of his smaller poems. A copy of this madrigal, containing only four stanzas (the 4th and 6th being wanting), accompanied with the first stanza of the answer, being printed in "The Passionate Pilgrime, and Sonnets to sundry notes of Musicke, by Mr. William Shakespeare, Lond. printed for W. Jaggard, 1599." Thus was this sonnet, &c. published as Shakespeare's in his lifetime.

And yet there is good reason to believe that (not Shakespeare, but) Christopher Marlow wrote the song, and Sir Walter Raleigh the "Nymph's Reply:" For so we are positively assured by Isaac Walton, a writer of some credit, who has inserted them both in his "Compleat Angler,"* under the character of " that smooth song, which was made by Kit. Marlow,

*First printed in the year 1653, but probably written some time before.

now at least fifty years ago; and .... an Answer to it, which was made by Sir Walter Raleigh in his younger days Old-fashioned poetry, but choicely good."-It also passed for Marlow's in the opinion of his contemporaries; for in the old Poetical Miscellany, intitled "England's Helicon," it is printed with the name of Chr. Marlow subjoined to it; and the Reply is subscribed Ignoto, which is known to have been a signature of Sir Walter Raleigh. With the same signature Ignoto, in that collection, is an imitation of Marlow's beginning thus:

"Come live with me, and be my dear,

And we will revel all the year,

In plains and groves," &c.

Upon the whole I am inclined to attribute them to Marlow and Raleigh; notwithstanding the authority of Shakespeare's Book of Sonnets. For it is well known that as he took no care of his own compositions, so was he utterly regardless what spurious things were fathered upon him. "Sir John Oldcastle," "The London Prodigal," and "The Yorkshire Tragedy," were printed with his name at full length in the title-pages, while he was living, which yet were afterwards rejected by his first editors Heminge and Condell, who were his intimate friends (as he mentions both in his will), and therefore no doubt had good authority for setting them aside.*

The following sonnet appears to have been (as it deserved) a great favourite with our earlier poets: for, besides the imitation above-mentioned, another is to be found among Donne's poems, intitled "The Bait," beginning thus:

"Come live with me, and be my love,

And we will some new pleasures prove
Of golden sands," &c.

As for Chr. Marlow, who was in high repute for his dramatic writings, he lost his life by a stab received in a brothel, before the year 1593. See A. Wood, i. 138.

COME live with me, and be my love,
And we wil all the pleasures prove
That hils and vallies, dale and field,
And all the craggy mountains yield.

* Since the above was written, Mr. Malone, with his usual discernment, hath rejected the stanzas in question from the other sonnets, &c. of Shakespeare, in his correct edition of "the Passionate Pilgrim," &c. See his Shakesp. Vol. x. p. 340.