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GIOVANNI BATTISTA BELZONI.

DECEMBER 3.

Mr W. Calder Marshall, was erected in the marketplace of Bolton in 1862.

GIOVANNI BATTISTA BELZONI.

In 1778, a son was born to a poor barber in the ancient city of Padua. There was little room for this novel addition to an impoverished family of fourteen, and the youth's earliest aspirations were to push his fortune far distant from his father's house. A translation of Robinson Crusoe falling into the lad's hands, excited an adventurous spirit, that clung to him through life; for, strange to say, Defoe's wonderful romance, though seemingly written with a view to deter and discourage wandering spirits, has ever had the contrary effect. When quite a boy, the barber's son ran away from home, but, after a few days' poverty, hardship, and

GIOVANNI BATTISTA BELZONI.

weary travelling, he was fain to return to the shelter of the parental roof. He now settled for a season, learned his father's business, and, becoming an able practitioner with razor and scissors, he once more set off with the determination of improving his fortunes in the city of Rome. There a love disappointment induced him to enter a Capuchin convent, where he remained till the arrival of the French army threw the monks homeless and houseless on the world. Of an almost gigantic figure, and endowed with commensurate physical power, the barber-monk now endeavoured to support himself by exhibiting feats of strength and dexterity. The old inclination for wandering returning with increased force, he travelled through Germany to Holland and England, reaching this country in 1802. In the same year he performed at Sadler's Wells Theatre, in the

BELZONI AT SADLER'S WELLS AS THE PATAGONIAN SAMSON.

character of the Patagonian Samson, as represented | is thus described in a contemporary periodical: in the accompanying engraving, copied from a very Signor Belzoni's performance consists in carryrare character portrait of the day. His performance ing from seven to ten men in a manner never

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attempted by any but himself. He clasps round him a belt, to which are affixed ledges to support the men, who cling round him; and first takes up one under each arm, receives one on either side, one on each of his shoulders, and one on his back; the whole forming a kind of a pyramid. When thus encumbered, he moves as easy and graceful as if about to walk a minuet, and displays a flag in as flippant a manner, as a dancer on the rope.'

In some unpublished notes of Ellar, the Harlequin and contemporary of Grimaldi, the pantomimist observes that he saw Belzoni in 1808, performing in Sander's Booth, at Bartholomew Fair, in the character of the French Hercules. In 1809, he continues, Belzoni and I were jointly engaged at the Crow Street Theatre, Dublin, in the production of a pantomime I as Harlequin, he as artist to superintend the last scene, a sort of hydraulic temple, that, owing to what is frequently the case, the being overanxious, failed, and nearly inundated the orchestra. Fiddlers generally follow their leader, and Tom Cook, now leader at Drury Lane, was the man; out they ran, leaving Columbine and myself, with the rest, to finish the scene in the midst of a splendid shower of fire and water. The young lady who played the part of Columbine was of great beauty, and is now the wife of the celebrated Thomas Moore, the poet. Signor Belzoni was a man of gentlemanly but very unassuming manners, yet of great mind.'

There are few towns in England, Scotland, or Ireland in which Belzoni did not exhibit about this period. The following is an exact copy of one of his hand-bills, issued in Cork early in 1812. The GRAND CASCADE, mentioned in the bill, was in all probability the splendid shower of fire and water recorded in the preceding passage from Ellar's note-book.

Theatre, Patrick Street.

CUT

A Man's Head

OFF!!!

AND PUT IT ON AGAIN!

This present Evening MONDAY, Feb. 24, 1812, And positively and definitively the LAST NIGHT.

SIG. BELZONI

RESPECTFULLY acquaints the Public, that by the request of his Friends, he will Re-open the above Theatre for one night more-i. e., on MONDAY Feb. 24, and although it has been announced in former Advertisements, that he would perform for Two Nights -he pledges his word that this present Evening, will be positively and definitively the last night of his Re-presentations, and when he will introduce a FEAT OF LEGERDEMAIN, which he flatters himself will astonish the Spectators, as such a feat never was attempted in Great Britain or Ireland. After a number of Entertainments, he will CUT

A Man's Head Off!!

And put it on Again!!! ALSO THE

GRAND CASCADE.

Belzoni married in Ireland, and continuing his wandering life, exhibited in France, Spain, and Italy. Realising a small capital by his unceasing industry, he determined to visit Egypt, a country

GIOVANNI BATTISTA BELZONI.

that for ages has been the El Dorado of the Italian race. Belzoni's object in visiting Egypt was to make a fortune by instructing the natives to raise water, by a very dangerous method, now abandoned-a kind of tread-wheel, formerly known to English mechanics by the technical appellation of the monkey.' Being unsuccessful in this endeavour, he turned his attention to removing some of the ancient Egyptian works of art, under the advice and patronage of Mr Salt, the British consul. The various adventures he went through, and how he ultimately succeeded, are all detailed by Belzoni in the published account of his travels, entitled Narrative of the Operations and recent Discoveries in the Pyramids, Temples, Tombs, and Cities of Egypt and Nubia.

Scarcely four years' exertions in Egypt had made Belzoni comparatively wealthy and famous. On his way to England, to publish his book, he visited Padua, and was received with princely honours. The authorities met him at the city gates, presented him with an address, and ordered a medal to be struck in his honour. Arriving in London, he became the fashionable lion of the day; and with a pardonable reticence, Belzoni took care not to allude to the character he had formerly sustained when in England. On this point the late Mr Crofton Croker tells an interesting story, published in Willis's Current Notes. He says, 'I remember meeting Belzoni, the last day of 1821, at the late Mr Murray's, in Albemarle Street, where we saw the New Year in, and 'glorious John' brewed a special bowl of punch, for the occasion. Beside the juvenile family of our host, the whole D'Israeli family were present. We all played a merry game of Pope Joan, and when that was over, Murray presented to each a pocket-book, as a New-year's gift. Murray was engaged, at a side-table, making the punch, upon tasting the excellence of which he uttered something like the sounds made by a puppet-showman, when about to collect an audience. The elder D'Israeli thereupon took up my pocket-book, and wrote with his pencil the following impromptu :

"Gigantic Belzoni at Pope Joan and tea,

What a group of mere puppets we seem beside thee; Which our kind host perceiving, with infinite jest,, Gives us Punch at our supper, to keep up the jest."

'Indifferent as the epigram itself was, I smiled at it, and observed: "Very true-excellent!" Which Belzoni perceiving, said: "Will you permit me to partake of your enjoyment?" "Certainly," I replied, handing him the book. Never shall I forget his countenance after he had read the four lines. He read the last line twice over, and then his eyes actually flashed fire. He struck his forehead, and muttering: "I am betrayed!" abruptly left the

room.'

At a subsequent interview between Mr Croker and Belzoni, the latter accounted for his strange conduct by stating that he had considered the lines to be an insulting allusion to his early life as a showman. On Mr Croker explaining that they could not possibly have any reference to him, Belzoni requested the former to accompany him to Mr Murray, with the view of making an explanation. They went, and then the great publisher knew, for the first time, that the celebrated Egyptian explorer had been an itinerant exhibitor.

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The active mind of Belzoni soon tired of a mere London existence. In 1822, he determined to embark in the too fatal field of African adventure. In the following year, when passing from Benin to Houssa, on his way to Timbuctoo, he was stricken with dysentery, carried back to Gato, and put on board an English vessel lying off the coast, in hopes of receiving benefit from the sea-air. He there died, carefully attended by English friends, to whom he gave his amethyst ring, to be delivered to his wife, with his tender affection and regrets that he was too weak to write his last adieux.

The kindly sailors, among whom he died, carried his body ashore, and buried it under an arsamatree, erecting a monument with the following inscription:

'HERE

LIE THE REMAINS

OF

G. BELZONI, Esq.

Who was attacked with dysentery on the 20th Nov. at Benin, on his way to Houssa and Timbuctoo, and died at this place on the 3d December 1823.

"The gentlemen who placed this inscription over the remains of this celebrated and intrepid traveller, hope that every European visiting this spot, will cause the ground to be cleared and the fence around repaired if necessary.'

The people of Padua have since erected a statue to the memory of their townsman, the energetic son of a poor barber; but it was not till long after his death that the government of England bestowed a small pension on the widow of Belzoni.

CROSSING THE LINE.'

Among the festivals of the old Roman calendar, in pagan times, we find one celebrated on the 3d of December, in honour of Neptune and Minerva. In connection with the former of these deities, we may here appropriately introduce the account of a well-known custom, which, till recently, prevailed on board ship, and was regarded as specially under the supervision of Neptune, who, in propria persona, was supposed to act the principal part in the ceremony in question. We refer to the grand marine saturnalia which used to be performed when 'crossing the line: that is, when passing from north to south latitude, or vice versa. The custom, in some form or other, is believed to be very ancient, and to have been originally instituted on the occasion of ships passing out of the Mediterranean into the Atlantic, beyond the 'Pillars of Hercules.' It had much more absurdity than vice about it; but sometimes it became both insulting and cruel. When the victims made no resistance, and yielded as cheerfully as they could to the whim of the sailors, the ceremony was performed somewhat in the following way, as related by Captain Edward Hall, and quoted by Hone: The best executed of these ceremonies I ever saw, was on board a ship of the line, of which I was lieutenant, bound to the West Indies. On crossing the line, a voice, as if at a distance, and at the surface of the water, cried: "Ho, ship ahoy! I shall come on board!" This was from a person slung over the bows, near the water, speaking through his hands. Presently two men of large stature came over the bows. They had hideous masks on. One represented Neptune.

CROSSING THE LINE.'

He was naked to the waist, crowned with the head of a large wet swab, the end of which reached to his loins, to represent flowing locks; a piece of tarpaulin, vandyked, encircled the head of the swab and his brows as a diadem; his right hand wielded a boarding-pike, manufactured into a trident; and his body was smeared with red ochre, to represent fish-scales. The other sailor represented Amphitrite, having locks formed of swabs, a petticoat of the same material, with a girdle of red bunting; and in her hand a comb and lookingglass. They were followed by about twenty fellows, naked to the waist, with red ochre scales, as Tritons. They were received on the forecastle with much respect by the old sailors, who had provided the carriage of an eighteen-pounder gun as a car, which their majesties ascended: and were drawn aft along the gangway to the quarter-deck by the sailors. Neptune, addressing the captain, said he was happy to see him again that way; adding that he believed there were some "Johnny Raws on board who had not paid their dues, and whom he intended to initiate into the salt-water

mysteries. The captain answered, that he was happy to see him, but requested he would make no more confusion than was necessary. They then descended to the main-deck, and were joined by all the old hands, and about twenty "barbers," who shaving-tackle consisted of pieces of rusty hoop for submitted the shaving-tackle to inspection. This razors, and very unsavoury compounds as shavingsoap and shaving-water, with which the luckless

victim was bedaubed and soused. If he bore it well, he was sometimes permitted to join in performing the ceremony upon other Johnny Raws.' See engraving on the following page.

He

It was not always, however, that neophytes conformed without resistance to such rough christening ceremonies. A legal action, instituted in 1802, took its rise from the following circumstances. When the ship Soleby Castle was, in the year mentioned, crossing the equator on the way to Bombay, the sailors proceeded to the exercise of their wonted privilege. On this occasion, one of the passengers on board, Lieutenant Shaw, firmly resisted the performance of the ceremony. offered to buy off the indignity by a present of money or spirits; but this was refused by the men, and it then became a contest of one against many. Shaw shut himself up in his cabin, the door of which he barricaded with trunks and boxes; and he also barred the port or small window. After he had remained some time in this voluntary imprisonment, without light or air, during the hottest part of the day, and 'under the line,' the crew, dressed as Neptune and his satellites, came thundering at his cabin-door, and with oaths and imprecations demanded admission. This he refused, but at the same time renewed his offer of a compromise. Mr Patterson, the fourth mate, entreated the crew, but in vain, to accept the offer made to them. The men, becoming chafed with the opposition, resolved now to obtain their way by force, regardless of consequences. They tried to force the door, but failed. Mr Raymond, third mate, sanctioned and approved the conduct of the men; and suggested that while some were engaged in wrenching the door off its hinges, others should effect an entry through the port. A sailor, armed with a sword and bludgeon, was lowered by a rope

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HOBBES.

DECEMBER 4.

DECEMBER 4.

St Clement of Alexandria, father of the church, beginning of 3d century. St Barbara, virgin and martyr, about 306. St Maruthas, bishop and confessor, 5th century. St Peter Chrysologus, archbishop of Ravenna, confessor, 450. St Siran or Sigirannus, abbot in Berry, confessor, 655. St Anno, archbishop of Cologne, confessor, 1075. St Osmund, bishop and confessor, 1099.

Born.-Thomas Carlyle, historical and miscellaneous writer, 1795, near Ecclefechan, Dumfriesshire; Dr John Kitto, Biblical illustrator, 1804, Plymouth.

Died.-Pope John XXII., 1334, Avignon; Cardinal

Richelieu, celebrated minister of Louis XIII., 1642,

Paris; William Drummond, poet, 1649, Hawthornden; Thomas Hobbes, philosopher, author of Leviathan, 1679; John Gay, poet and dramatist, 1732, London; John Shute, Lord Barrington, 1734; James Perry, editor of the Morning Chronicle, 1821, Brighton; Robert Jenkinson, Earl of Liverpool, statesman, 1828; Samuel Butler, bishop of Lichfield, great scholar, 1839.

HOBBES.

Hobbes was the plague of the theologians and philosophers of the seventeenth century. Charles II. likened him to a bear against whom the church played its young dogs in order to exercise them. Warburton, writing a century later, said: "The philosopher of Malmesbury was the terror of the last age, as Tindall and Collins are of this. The press sweat with controversy, and every young churchman-militant would try his arms in thundering on Hobbes's steel cap.' A library might, indeed, be formed of the literature Hobbes provoked; and supposing it were admitted that he was altogether in the wrong, yet we should see a beneficent end in the means which stimulated so much mental activity. Faith is strengthened and assured in free contest with error; belief would lapse into mere hearsay if not sharply tested by question and denial; and we all must own, that truth like a torch the more it's shook it shines.'

Thomas Hobbes was born at Malmesbury, in Wilts, on Good Friday, 1588, the year of the Spanish Armada. It is said his birth was hastened by his mother's terror of the enemy's fleet; and it may be, that a timidity with which through life he was afflicted, was thus induced. He and Fear, he was wont to say, were born together. He was a precocious child; he learned much and easily, and while yet a boy, translated the Medea of Euripides from the Greek into Latin verse. At the age of fifteen he was sent to Oxford, and at twenty he entered the Cavendish family as tutor to Lord Hardwicke, and with scarcely an intermission remained in the service of that noble house as tutor and secretary to the end of his long life. Born under Elizabeth, he lived through the reigns of James and Charles; he saw the rise and fall of the Commonwealth; and died in 1679, at the great age of ninety-two, within six years of the accession of James II. The latter part of his life was spent in Derbyshire, in the charming retreat of Chatsworth, and from Bishop Kennet we have a minute account of his habits there. "His professed rule of health was to dedicate the morning to his exercise, and the afternoon to his studies. At his first rising,

HOBBES.

therefore, he walked out and climbed any hill within his reach; or, if the weather was not dry, he fatigued himself within doors by some exercise or other, to be a sweat. After this he took

a comfortable breakfast; and then went round the lodgings to wait upon the earl, the countess and the children, and any considerable strangers, paying some short addresses to all of them. He kept these rounds till about twelve o'clock; when he had a little dinner provided for him, which he ate always by himself without ceremony. Soon after dinner, he retired to his study, and had his candle with ten or twelve pipes of tobacco laid by him; then shutting his door, he fell to smoking, thinking, and writing for several hours.' Hobbes was tall and deeply wrinkled; his hair was a bright black, till spare; his forehead was massive, and in old age time grizzled it; his eyes were quick and sparkling, and his nose long. His countenance, he tells us, was 'not beautiful, but when I am speaking, far from disagreeable.'

Hobbes's temper was naturally and intensely conservative, and his lot was cast in times when the whole current of events seemed destined to disturb it. His first work, a translation of Thucydides, in which he had the assistance of Ben Jonson, was published in 1628, in order that the absurdities of the Athenian democrats might serve as a warning to turbulent Englishmen. As civil troubles thickened, he was glad to seek refuge in Paris, where he enjoyed the acquaintance of Descartes, Gassendi, and other eminent Frenchmen. But though he had no inclination for a personal share in the strife which was rending his country into warring factions, he was far from indifferent to it. His mind was absorbed in the questions it suggested; he was asking himself, what was the origin of society? and what were the true relations between rulers and their subjects? The first result of his meditations appeared in a Latin treatise, De Cive, printed in Paris in 1642, and afterwards translated into English as Philosophical Rudiments concerning Government and Society. Descartes wrote of De Cive, I can by no means approve of its principles or maxims, which are very bad and extremely dangerous, because they suppose all men to be wicked, or give them occasion to be so. His whole design is to write in favour of monarchy, which might be done to more advantage than he has done, upon maxims more virtuous and solid.' The principles set forth in the De Cive, Hobbes more fully developed in the celebrated Leviathan; or the Matter, Form, and Power of a Commonwealth, Ecclesiastical and Civil, published in London, in folio, in 1651. In this work he describes man in a state of nature, or of isolation, as in a state of war, which in society he exchanges for a state of amity or peace. God made man, and man, in his turn, makes society, which is a sort of artificial man; a man on a large scale, in which the ruler is the brain, and his subjects, according to their various offices, the members. To the monarch he accords absolute power, and to his subjects unconditional obedience, not only in matters civil but religious. It might be supposed that such a doctrine would have proved highly acceptable to a generation in which the divine right of kings was in common vogue, but it was quickly discerned that though Hobbes rendered a useful defence of absolutism, it was a defence, spite of Hobbes's protests, which might serve a

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