The Classical Tradition : Greek and Roman Influences on Western Literature: Greek and Roman Influences on Western LiteratureOxford University Press, USA, 31 դեկ, 1949 թ. - 802 էջ A reissue in paperback of a title first published in 1949. |
From inside the book
Արդյունքներ 93–ի 1-ից 5-ը:
Էջ xxv
... BAROQUE 289-92 Meaning of the word ' baroque ' 289 The essence of baroque art is tension between passion and control 289 examples from life 289 examples from art . 290 The greatest baroque artists 290 Classical influences on their work ...
... BAROQUE 289-92 Meaning of the word ' baroque ' 289 The essence of baroque art is tension between passion and control 289 examples from life 289 examples from art . 290 The greatest baroque artists 290 Classical influences on their work ...
Էջ xxvi
... baroque tragedy and opera The failure of baroque tragedy limitation of its audience narrow range of subjects classical learning limitation of its resources avoidance of ' low ' words poverty of images restricted metre · limited range of ...
... baroque tragedy and opera The failure of baroque tragedy limitation of its audience narrow range of subjects classical learning limitation of its resources avoidance of ' low ' words poverty of images restricted metre · limited range of ...
Էջ xxvii
... BAROQUE PROSE · The baroque era was the age of prose 322-54 • 322 Its prose was modelled on classical , chiefly Latin , prose • 322 STYLE Two different schools Cicero 322-35 · 322 • 323 Seneca and Tacitus • 323 Modern imitators of ...
... BAROQUE PROSE · The baroque era was the age of prose 322-54 • 322 Its prose was modelled on classical , chiefly Latin , prose • 322 STYLE Two different schools Cicero 322-35 · 322 • 323 Seneca and Tacitus • 323 Modern imitators of ...
Էջ xxviii
... baroque pearl It resembled the Renaissance and was complementary to it The Renaissance explored Latin , the revolutionary era Greek What did Greece mean to the men of the revolutionary age ? Beauty and nobility Freedom literary moral ...
... baroque pearl It resembled the Renaissance and was complementary to it The Renaissance explored Latin , the revolutionary era Greek What did Greece mean to the men of the revolutionary age ? Beauty and nobility Freedom literary moral ...
Էջ xxxvi
... Baroque 646 " " 16 : Baroque Tragedy · 648 " " 17 : Satire 649 · " " 18 : Baroque Prose • 654 " " 19 : The Time of Revolution 661 20 : Parnassus and Antichrist 683 " " " " 21 : A Century of Scholarship 690 22 : The Symbolist Poets and ...
... Baroque 646 " " 16 : Baroque Tragedy · 648 " " 17 : Satire 649 · " " 18 : Baroque Prose • 654 " " 19 : The Time of Revolution 661 20 : Parnassus and Antichrist 683 " " " " 21 : A Century of Scholarship 690 22 : The Symbolist Poets and ...
Բովանդակություն
ITALY | 5 |
THE MIDDLE AGES II14 | 11 |
PASTORAL | 12 |
FRENCH LITERA | 19 |
style and mythology | 20 |
ENGLISH LITERATURE 2247 | 22 |
Marius the Epicurean | 23 |
France the centre of medieval literature | 28 |
Jeffers and Anouilh | 527 |
changes in the plots | 534 |
GrecoRoman paganism | 547 |
SHAKESPEARES CLASSICS | 550 |
illustrative examples | 563 |
The richness of Renaissance epic | 572 |
The Renaissance Drama | 598 |
116 | 611 |
The Romance of Aeneas | 38 |
Filostrato | 55 |
Ovid and romantic love | 57 |
Boccaccios scholarship and discovery of lost classics | 71 |
Eclogues | 86 |
93103 | 94 |
Valerius Flaccus | 101 |
oratory | 105 |
GERMANY | 113 |
smaller works | 123 |
EPIC | 144 |
Adaptations of classical episodes | 153 |
Latinized and hellenized words and phrases | 160 |
Sannazaros Arcadia | 169 |
pastoral opera | 175 |
His book a childish series of giantadventures containing | 182 |
The revolutionary poets of Italy were pessimists | 198 |
Anacreon and his imitators | 229 |
Jonson | 238 |
Spain | 244 |
Lyrical poetry in the revolutionary | 250 |
History of the War 1688 | 280 |
France | 287 |
SATIRE | 299 |
The Romance of the Rose | 305 |
Brants The Ship of Fools | 312 |
BAROQUE PROSE 32254 | 322 |
more Roman than Greek | 352 |
Lessing | 364 |
the group | 372 |
His love for Greek | 379 |
Faust II | 386 |
Foscolo | 395 |
French literature of the revolution | 401 |
Leopardi | 429 |
its ideals | 440 |
the chief arguments against Christianity | 451 |
Christianity is timid and feeble | 459 |
A CENTURY OF SCHOLARSHIP | 466 |
why did he never finish his History of Rome? | 477 |
Arnold and Newman on translating Homer | 483 |
THE SYMBOLIST POETS AND JAMES | 501 |
How his energy dominated his conflicts | 619 |
Victor Hugo | 622 |
The chief arguments used by the moderns | 640 |
2503 | 645 |
Baroque Tragedy | 648 |
818 | 649 |
251 | 654 |
84 | 660 |
Hugo | 661 |
34454 | 670 |
Shelley | 672 |
A Century of Scholarship | 690 |
CONCLUSION | 693 |
The revolutionary era and the Renaissance | 703 |
708 | |
709 | |
710 | |
712 | |
713 | |
714 | |
717 | |
719 | |
721 | |
723 | |
725 | |
726 | |
727 | |
729 | |
733 | |
734 | |
737 | |
738 | |
739 | |
740 | |
745 | |
750 | |
751 | |
752 | |
753 | |
757 | |
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Common terms and phrases
admired Aeneid ancient artistic authors baroque age beauty became Beowulf Boethius Boileau Cædmon called century characters Chaucer chief Christian church Cicero civilization classical literature Comedy contemporary culture Dante Dante's Dark Ages drama emotion English epic essay Europe famous France French German Gibbon Goethe greatest Greco-Roman Greece Greece and Rome Greek and Latin Greek and Roman hero heroic Homer Horace ideals Iliad imagination imitation important inspired Italian Italy Jean de Meun knew language legend less literary lived lyric medieval metre Middle Ages Milton modelled modern moral myth nature odes Odyssey original Ovid pagan pastoral pattern Petrarch philosophical Pindar Plato Plautus plays Plutarch poem poetic poetry poets produced prose Renaissance revolutionary Roman empire Rome Ronsard satire satirists says scholars Seneca Shakespeare sometimes songs spirit stanza story style symbol Telemachus thought tion tradition tragedy translation Trojan Vergil verse words writing written wrote
Սիրված հատվածներ
Էջ iv - TO HELEN. Helen, thy beauty is to me Like those Nicean barks of yore, That gently, o'er a perfumed sea, The weary, way-worn wanderer bore To his own native shore. On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece And the grandeur that was Rome.